“Ification” reviewed by Textura

Pure’s Ification is an oft-unsettling stylistic travelogue whose range extends far beyond the backyard. Uncompromising experimental electronic workouts sit side-by-side with modern classical and cinematic soundscaping in the Berlin-based artist’s collection. Since 1992, Peter Votava has issued more than thirty CDs and vinyl releases of solo and collaborative works under different aliases, with Ification arriving …

“Berlin Backyards” reviewed by Textura

Obviously Aubry’s idea of a typical Berlin backyard isn’t a quiet and peaceful haven one retreats to as a respite from the noise of the city but instead a place where loud, industrial machinery churns relentlessly. Such equipment—air conditioners, trash compactors, recycling containers, electric power stations, all of which keep the city running—exhales convulsively like …

Netlabels & News reviews “Compilation Works 1996-2005”

Si ya los propios estilos musicales son polémicos y discutibles en cuanto a su exactitud y alcance, resultando la mayoría de las veces solo vagas y aproximadas etiquetas orientativas; hay un debate que todavía va mas allá: ¿que puede considerase música y que ruido? La pregunta es mas compleja de lo que puede parecer, ya …

“Compilation Works 1996-2005” reviewed by The Sound Projector

From same label, Compilation Works 1996-2005 (CRÓNICA ELECTRONICA 041) is an astonishing compilation of music by the great Marc Behrens, one of the most severe and dessicated electronic minimalists working in this area and one for whom I have a lot of time. This 19-track collection amounts to two CDs’ worth of music, and it …