Futurónica #17

Episode 17 of Futurónica, a broadcast in Rádio Zero (every two weeks, on Friday nights, repeating on Tuesdays at 01h) airs tomorrow, September 24th at 21h (GMT). The playlist for Futurónica #17 is: Gescom, Cut Begin (1-7) (1998, from Minidisc, OR) Bill Wells, The Burgess Sign Off (2008, from The Loathsome Reel Book, Loathsome Reels) …

“Shattering Silence” reviewed by Gonzo

Het lijkt de Portugese componist Jan Ferreira. alias Mosaique, op ‘Shattering Silence’ vooral te gaan om een onderzoek naar de kleur en vorm van klanken. Wellicht komt dat voort uit het feit dat hij voor deze release (de tweede vor het Crónica-label; beide releases zijn gratis te downloaden bij het label, als onderdelen van Crónica’s …

“Balunar” by Jorge Mantas and Susana Mourão at Escrita na Paisagem

The audiovisual installation “Balunar” by Jorge Mantas (a.k.a. The Beautiful Schizophonic) and Susana Mourão, will be presented at the Museu de Évora from September 21 to 23, as part of this year’s Escrita na Paisagem festival.

Marc Behrens in Darmstadt

September 18, 2010: Participation in a symposium connected to the exhibition “Das Menschenbild in unserer Zeit”, organized by the artists association Darmstädter Sezession. Lectures by Martin Schneider, Annegret Soltau, Dr. Wolfgang Zumdick and Marc Behrens. Kunsthalle Darmstadt, Steubenplatz 1, 64293 Darmstadt, Germany.

“Passeports” reviewed by Cyclic Defrost

As the title implies Passeports by Matias Delplanque is concerned with geography, particularly locis of transport – train stations, harbours, parking lots – in the cities of Nantes, Lille and Dieppe, France. Delplanque works by processing field recordings from these locations, softening them into gauzy, cushioned blurs, identifiable traces peeking through the haze. Elements of …

“Passeports” reviewed by RifRaf

Ami lecteur, toi qui apprends par coeur les articles de RifRaf, tu n’as pas oublié qu’en juin dernier, nous nous étions enthousiasmes pour ‘Circonstances / Variations 1-4’ – les très belles relectures dub que Mathias Delplanque avait signée d’un de ses titres lorsqu’il se cache sous le pseudo de Lena. allons droit au but, le …

“Passeports” reviewed by Drowned in Sound

Composed from field recordings collected in transport-related zones around France – harbours, car parks and train stations – Mathias Delplanque’s album traffics in a dense ambience that tends towards the minatory, pointing up the uncertain, interstitial nature of transit. ‘Passeport 1 (Nantes)’ rolls out corrupted foghorn calls one over the other, with rattling train carriages …