Tag Archives: @c

@c’s “Espaço, Pausa, Repetição” reviewed by Fluid Sonic Fluctuations

By Miguel Carvalhais | Published: 31 May 2019

Welcome to the 18th review in my ever continuing series on the Crónica label in which today I’m reviewing the new @c album Espaço, Pausa, Repetição which was released early this month. The album forms a bit of an anniversary for the label, being release 150 in total and also at the same time celebrating […]

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@c’s “Espaço, Pausa, Repetição” reviewed by Vital Weekly

By Miguel Carvalhais | Published: 28 May 2019

There is quite a story behind this release by @C, the duo of Pedro Tudela and Miguel Carvalhais, who are also behind the Cronica Electronica label. The music here is part of a new work for the Exhibitions Pavilion of the Faculty of Fine Arts of the University of Porto (still going until June) and […]

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@c’s “Espaço, Pausa, Repetição” reviewed by Silence and Sound

By Miguel Carvalhais | Published: 22 May 2019

L’abstraction en musique, n’est pas une inconnue dans l’oeuvre de Miguel Carvalhais et Pedro Tudela aka @c, tant chaque album tire son sens de l’environnement dans lequel il se déplace, virtuellement ou réellement à travers les enceintes, créant des zones mobiles au croisement du conceptuel et de la poésie. Conçu pour une exposition à la Faculty of Fine Arts de […]

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New release: @c’s “Espaço, Pausa, Repetição”

By Miguel Carvalhais | Published: 7 May 2019

Pedro Tudela and Miguel Carvalhais have been working as @c since 2000, publishing several albums (some of which in Crónica), composing music for audiovisuals and theatre, performing extensively, and creating site-specific sound installations. Having been invited to develop a new work for the Exhibitions Pavilion of the Faculty of Fine Arts of the University of Porto, to […]

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Tamtam’s “Rheingold” reviewed by The Sound Projector

By Miguel Carvalhais | Published: 24 April 2019

Sam Auinger scored quite a hit with this writer in 2001, when he made Box 30/70 with Bruce Odland (appearing as O+A). I seem to recall they created a fascinating twist on the field recording genre with their innovative “box”, which sits by a roadside and does unusual things to the sound of cars rushing past. This […]

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Tamtam’s “Rheingold” reviewed by Oro Molido

By Miguel Carvalhais | Published: 21 February 2019

Este trabajo se divide en dos partes. En la cara A de la casete, escuchamos remezclas de TAMTAM realizadas en el año 2017. En su contenido se modifican tratamientos sonoros realizados por Sam Auinger, bajo la superposición de frecuencias del bajo eléctrico de Hannes Stribl, y las percusiones con gongs tocadas por Robyn Schulkowsky. Basándose […]

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“Loud Listening” reviewed by Fluid Sonic Fluctuations

By Miguel Carvalhais | Published: 23 January 2019

It’s an exciting time, we’re only a month into 2019 and I’ve already received quite a lot of great releases that I’ve reviewed recently. Now it’s also time to introduce new series on this blog as well as continue with the first 2019 selection of music on Fluid Sonic Fluctuations (with my updated semi-random selection […]

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Tamtam’s “Rheingold” reviewed by Bad Alchemy

By Miguel Carvalhais | Published: 10 January 2019
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Clube de Inverno

By Miguel Carvalhais | Published: 28 November 2018

For three days, Crónica be heading gnration’s Clube de Inverno, an informal meeting place to explore and improvise with music, sound, image and video.

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15 years of Crónica at ZDB, Lisbon

By Miguel Carvalhais | Published: 25 November 2018

Next Friday, November 30, Crónica will take over the stage at ZDB, in Lisbon, to present the last of the anniversary performances for 2018. Síria, Vítor Joaquim, and @c (Pedro Tudela & Miguel Carvalhais) start at 22h at Rua da Barroca 59.

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