Tag Archives: Emmanuel Mieville

“Juryo: Durée de la vie de l’ainsi-venu” reviewed by Amusio

Nicht zuletzt als Partizipant eines französischen Gamelan-Orchesters unterstrich der aus Paris stammende Emmanuel Mieville seine breit gefächerte Kenntnis fernöstlicher Musiktraditionen. Nun verweist schon der Titel seiner Veröffentlichung – Juryo: Durée De La Vie L’Ainsi-Venu (Crónica) – auf die mannigfaltigen Verquickungen, die sein akademisch der musique concrète zuzuschlagende Forschergeist angeht. Handelt es sich bei „Juryo“ doch […]

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“Juryo: Durée de la vie de l’ainsi-venu” reviewed by Vital

Music releases by Paris born and based composer Emmanuel Mieville are quite apart (Vital Weekly 803 and 1000 for instance) and has a strong emphasis on field recordings and this one is no different. Mieville had training in sound engineering in a film school and later on at INA-GRM, but also played in Javanese gamelan […]

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Soon in Crónica: Emmanuel Mieville’s “Juryo: Durée de la vie de l’ainsi-venu”

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Soon in Crónica: Emmanuel Mieville’s “Juryo: Durée de la vie de l’ainsi-venu”

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Futurónica 142

Episode 142 of Futurónica, a broadcast in Rádio Manobras (91.5 MHz in Porto, 18h30) and Rádio Zero (21h GMT, repeating on Tuesday at 01h) airs tomorrow, June 12th. The playlist of Futurónica 142 is: Emmanuel Mieville, Phono-Ting (2015, Siebzehn bis ∞, Crónica) Cello + Laptop, Welcome (2015, Segments, Audiotalaia) Francisco López, Untitled #324 (2015, Siebzehn […]

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New release in Crónica: Siebzehn bis ∞

siebzehn bis ∞ is tied with the previous work eins bis sechzehn, recorded within the ruins of a hotel complex at the Croatian coast in 2011 and released in 2012.   These ruins situated in the Župa Dubrovačka area are silent witnesses of once mono-functionally used areas resembling each other by their interchangeability and absence […]

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Soon in Crónica: Siebzehn bis ∞

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Soon in Crónica: Siebzehn bis ∞

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New podcast: Now Cut + Emmanuel Mieville

Now Cut is the french duo of Stéphanie Briand and Phiippe Desclais, focusing on self made instruments, of metal and prepared guitar, filers, oscillators, contact microphones. Paris-born composer Emmanuel Mieville studied sound engineering in a film school and musique concrète at the famous GRM. He has previously released “Concret-Sens“ in Crónica. Download here or subscribe […]

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“Concret-Sens” reviewed by The Sound Projector

In recent years there has been a resurgence of interest in the techniques of musique concrète and electro-acoustic composition. A substantial reissue program from Editions Mego and subsequent attention from outside the fields of modern composition has brought particular attention to Groupes Researches de Musicales, Pierre Schaeffer’s influential research organization. Yet, rather than considering the […]

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