Tag Archives: Emmanuel Mieville

Futurónica 142

Episode 142 of Futurónica, a broadcast in Rádio Manobras (91.5 MHz in Porto, 18h30) and Rádio Zero (21h GMT, repeating on Tuesday at 01h) airs tomorrow, June 12th. The playlist of Futurónica 142 is: Emmanuel Mieville, Phono-Ting (2015, Siebzehn bis ∞, Crónica) Cello + Laptop, Welcome (2015, Segments, Audiotalaia) Francisco López, Untitled #324 (2015, Siebzehn […]

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New release in Crónica: Siebzehn bis ∞

siebzehn bis ∞ is tied with the previous work eins bis sechzehn, recorded within the ruins of a hotel complex at the Croatian coast in 2011 and released in 2012.   These ruins situated in the Župa Dubrovačka area are silent witnesses of once mono-functionally used areas resembling each other by their interchangeability and absence […]

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Soon in Crónica: Siebzehn bis ∞

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Soon in Crónica: Siebzehn bis ∞

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New podcast: Now Cut + Emmanuel Mieville

Now Cut is the french duo of Stéphanie Briand and Phiippe Desclais, focusing on self made instruments, of metal and prepared guitar, filers, oscillators, contact microphones. Paris-born composer Emmanuel Mieville studied sound engineering in a film school and musique concrète at the famous GRM. He has previously released “Concret-Sens“ in Crónica. Download here or subscribe […]

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“Concret-Sens” reviewed by The Sound Projector

In recent years there has been a resurgence of interest in the techniques of musique concrète and electro-acoustic composition. A substantial reissue program from Editions Mego and subsequent attention from outside the fields of modern composition has brought particular attention to Groupes Researches de Musicales, Pierre Schaeffer’s influential research organization. Yet, rather than considering the […]

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“Concret-Sens” reviewed by Revue & Corrigée

Le première des trois pièces qui constituent cet album, intitulée Cillages, est plutôt intéressant avec ses enregistrements de néons, mais le plaisir est tout de même quelque peu atténué par un sentiment de “déjà entendu”. Les deux morceaux suivants en revanche, sont beaucoup plus convaincants. Pourquoi? Les compositions s’animent, prennent vie. Emmanuel Mieville nous rend […]

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“Concret-Sens” reviewed by RNE 3 Atmosfera

El nuevo trabajo del francés Emmanuel Mieville hace referencia al adjetivo francés “Concrescence” usado por el compositor François Bayle para describir y subrayar la substancia concreta de los sonidos su música. Este fue el marco de Emmanuel Mieville al componer estas piezas muy cercanas a la música concreta, según la definición de Pierre Schaeffer. Mieville […]

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“Concret-Sens” reviewed by Blow Up

Neon, prese elettriche, nastri registrati, field recordings: EM ne cava fuori tre suites. A che pro una musica (musica?) del genere? Forse è un modo per riflettere sulla concretezza e sul senso dei suoni che ci circondano. Sarà, purtroppo a me piace. G. Dal Maso Concret-Sens by Emmanuel Mieville

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“Concret-Sens” reviewed by Chain D.L.K.

Named after a combination of French words – the word sens (meaning direction) and the French adjective concrescence that the living legend Francois Bayle, who also coined the term “acousmatic” and inventor of “Acousmonium”, used to describe the concrete substance of sounds and its intrinsic impermanence and ruggedness -, this interesting release by Emmanuel Mieville […]

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