{"id":10387,"date":"2019-05-22T08:24:24","date_gmt":"2019-05-22T07:24:24","guid":{"rendered":"http:\/\/blog.cronicaelectronica.org\/?p=10387"},"modified":"2019-05-22T08:24:27","modified_gmt":"2019-05-22T07:24:27","slug":"cs-espaco-pausa-repeticao-reviewed-by-silence-and-sound","status":"publish","type":"post","link":"http:\/\/blog.cronicaelectronica.org\/?p=10387","title":{"rendered":"@c\u00e2\u20ac\u2122s \u00e2\u20ac\u0153Espa\u00c3\u00a7o, Pausa, Repeti\u00c3\u00a7\u00c3\u00a3o\u00e2\u20ac\u009d reviewed by Silence and Sound"},"content":{"rendered":"\n<figure class=\"wp-block-image\"><a href=\"http:\/\/www.cronicaelectronica.org\/releases\/150\"><img loading=\"lazy\" decoding=\"async\" width=\"520\" height=\"520\" src=\"http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2019\/05\/cronica150-2019_520.jpg\" alt=\"\" class=\"wp-image-10367\" srcset=\"http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2019\/05\/cronica150-2019_520.jpg 520w, http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2019\/05\/cronica150-2019_520-150x150.jpg 150w, http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2019\/05\/cronica150-2019_520-260x260.jpg 260w\" sizes=\"auto, (max-width: 520px) 100vw, 520px\" \/><\/a><\/figure>\n\n\n\n<p>L\u00e2\u20ac\u2122abstraction en musique, n\u00e2\u20ac\u2122est pas une inconnue dans l\u00e2\u20ac\u2122oeuvre de&nbsp;<strong>Miguel Carvalhais<\/strong>&nbsp;et&nbsp;<strong>Pedro Tudela<\/strong>&nbsp;aka&nbsp;<a href=\"https:\/\/silenceandsound.me\/2016\/06\/09\/c\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>@c<\/strong><\/a>, tant chaque album tire son sens de l\u00e2\u20ac\u2122environnement dans lequel il se d\u00c3\u00a9place, virtuellement ou r\u00c3\u00a9ellement \u00c3\u00a0 travers les enceintes, cr\u00c3\u00a9ant des zones mobiles au croisement du conceptuel et de la po\u00c3\u00a9sie.<\/p>\n\n\n\n<p>Con\u00c3\u00a7u pour une exposition \u00c3\u00a0 la Faculty of Fine Arts de Porto,&nbsp;<em>Espa\u00c3\u00a7o, Pausa, Repeti\u00c3\u00a7\u00c3\u00a3o&nbsp;<\/em>n\u00e2\u20ac\u2122est qu\u00e2\u20ac\u2122un rendu parmi d\u00e2\u20ac\u2122autres, de par sa conception charg\u00c3\u00a9e de formules al\u00c3\u00a9atoires et de possibilit\u00c3\u00a9s infinies, puisant sa mati\u00c3\u00a8re premi\u00c3\u00a8re dans les albums d\u00e2\u20ac\u2122autres artistes issus du label Cr\u00c3\u00b3nica et d\u00c3\u00a9coup\u00c3\u00a9s en minuscules tron\u00c3\u00a7ons, ceux-ci ressuscitant \u00c3\u00a0 travers un floril\u00c3\u00a8ge de contact entrelac\u00c3\u00a9s.<\/p>\n\n\n\n<p>L\u00e2\u20ac\u2122histoire de l\u00e2\u20ac\u2122\u00c3\u00a9lectro-acoustique et de la musique contemporaine se voient r\u00c3\u00a9\u00c3\u00a9crites via le travail de\u00c2\u00a0<strong>@c,\u00c2\u00a0<\/strong>trouvant avec\u00c2\u00a0<em>Espa\u00c3\u00a7o, Pausa, Repeti\u00c3\u00a7\u00c3\u00a3o,<\/em>\u00c2\u00a0une certaine forme de finalit\u00c3\u00a9 radicale et irr\u00c3\u00a9vocable, \u00c3\u00a0 l\u00e2\u20ac\u2122image des Dada\u00c3\u00afstes dans l\u00e2\u20ac\u2122Art, dont le point culminant est l\u00e2\u20ac\u2122utilisation du mode random pour effacer toute trace pass\u00c3\u00a9e et ne laisser au pr\u00c3\u00a9sent que le loisir de courir derri\u00c3\u00a8re un futur en zigzag. Fondamental. <em>Roland Torres<\/em><\/p>\n\n\n\n<p>via <a href=\"https:\/\/silenceandsound.me\/2019\/05\/21\/c-2\/\">Silence and Sound<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>L\u00e2\u20ac\u2122abstraction en musique, n\u00e2\u20ac\u2122est pas une inconnue dans l\u00e2\u20ac\u2122oeuvre de&nbsp;Miguel Carvalhais&nbsp;et&nbsp;Pedro Tudela&nbsp;aka&nbsp;@c, tant chaque album tire son sens de l\u00e2\u20ac\u2122environnement dans lequel il se d\u00c3\u00a9place, virtuellement ou r\u00c3\u00a9ellement \u00c3\u00a0 travers les enceintes, cr\u00c3\u00a9ant des zones mobiles au croisement du conceptuel et de la po\u00c3\u00a9sie. Con\u00c3\u00a7u pour une exposition \u00c3\u00a0 la Faculty of Fine Arts de &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/blog.cronicaelectronica.org\/?p=10387\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;@c\u00e2\u20ac\u2122s \u00e2\u20ac\u0153Espa\u00c3\u00a7o, Pausa, Repeti\u00c3\u00a7\u00c3\u00a3o\u00e2\u20ac\u009d reviewed by Silence and Sound&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[495,16,35,34],"class_list":["post-10387","post","type-post","status-publish","format-standard","hentry","category-reviews","tag-495","tag-atc","tag-miguel-carvalhais","tag-pedro-tudela","entry"],"_links":{"self":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/10387","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10387"}],"version-history":[{"count":1,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/10387\/revisions"}],"predecessor-version":[{"id":10388,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/10387\/revisions\/10388"}],"wp:attachment":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10387"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10387"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10387"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}