{"id":10490,"date":"2019-12-29T18:18:38","date_gmt":"2019-12-29T17:18:38","guid":{"rendered":"http:\/\/blog.cronicaelectronica.org\/?p=10490"},"modified":"2019-12-29T18:18:39","modified_gmt":"2019-12-29T17:18:39","slug":"cs-espaco-pausa-repeticao-reviewed-by-the-sound-projector","status":"publish","type":"post","link":"http:\/\/blog.cronicaelectronica.org\/?p=10490","title":{"rendered":"@c\u00e2\u20ac\u2122s \u00e2\u20ac\u0153Espa\u00c3\u00a7o, Pausa, Repeti\u00c3\u00a7\u00c3\u00a3o\u00e2\u20ac\u009d reviewed by The Sound Projector"},"content":{"rendered":"\n<figure class=\"wp-block-image\"><a href=\"http:\/\/www.cronicaelectronica.org\/releases\/150\"><img loading=\"lazy\" decoding=\"async\" width=\"520\" height=\"520\" src=\"http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2019\/05\/cronica150-2019_520.jpg\" alt=\"\" class=\"wp-image-10367\" srcset=\"http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2019\/05\/cronica150-2019_520.jpg 520w, http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2019\/05\/cronica150-2019_520-150x150.jpg 150w, http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2019\/05\/cronica150-2019_520-260x260.jpg 260w\" sizes=\"auto, (max-width: 520px) 100vw, 520px\" \/><\/a><\/figure>\n\n\n\n<p>Our Portuguese double act\u00c2\u00a0<strong>@c<\/strong>\u00c2\u00a0(Pedro Tudela and Miguel Carvalhais) are here with a new cassette called\u00c2\u00a0<em>Espa\u00c3\u00a7o, Pausa, Repeti\u00c3\u00a7\u00c3\u00a3o<\/em>\u00c2\u00a0(<a rel=\"noreferrer noopener\" href=\"http:\/\/cronicaelectronica.org\/\" target=\"_blank\">CRONICA<\/a>\u00c2\u00a0150-2019). This one arose from an installation project which they did at the University of Porto. Apparently over fifty creators contributed about 300 \u00e2\u20ac\u0153sound objects\u00e2\u20ac\u009d to this project, and if @c are using these as the basis for today\u00e2\u20ac\u2122s cassette, it\u00e2\u20ac\u2122s no wonder it sounds so disconnected and bitty \u00e2\u20ac\u201c like lots of small plates of raw fish in a Japanese restaurant. I\u00e2\u20ac\u2122m never greatly impressed by these things which are described as \u00e2\u20ac\u0153multisensory\u00e2\u20ac\u009d and \u00e2\u20ac\u0153immersive\u00e2\u20ac\u009d, when all it amounts to is a bunch of speakers set in a frame in an exhibition space. I appreciate the idea that they\u00e2\u20ac\u2122re trying to create an autonomous sound environment of some sort, but it\u00e2\u20ac\u2122s not a very interesting one, probably because the original source materials are so banal and bland. Even so, @c deserve some credit for the effort involved in stitching together so many short, diverse pieces of sound in one place. <em>Ed Pinsent<\/em><\/p>\n\n\n\n<p>via <a href=\"http:\/\/www.thesoundprojector.com\/2019\/12\/21\/five-crops-from-june\/\">The Sound Projector<\/a><\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3748724309\/size=small\/bgcol=ffffff\/linkcol=333333\/transparent=true\/\" seamless><a href=\"http:\/\/cronica.bandcamp.com\/album\/espa-o-pausa-repeti-o\">Espa\u00c3\u00a7o, Pausa, Repeti\u00c3\u00a7\u00c3\u00a3o by @c<\/a><\/iframe>\n","protected":false},"excerpt":{"rendered":"<p>Our Portuguese double act\u00c2\u00a0@c\u00c2\u00a0(Pedro Tudela and Miguel Carvalhais) are here with a new cassette called\u00c2\u00a0Espa\u00c3\u00a7o, Pausa, Repeti\u00c3\u00a7\u00c3\u00a3o\u00c2\u00a0(CRONICA\u00c2\u00a0150-2019). This one arose from an installation project which they did at the University of Porto. Apparently over fifty creators contributed about 300 \u00e2\u20ac\u0153sound objects\u00e2\u20ac\u009d to this project, and if @c are using these as the basis for today\u00e2\u20ac\u2122s &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/blog.cronicaelectronica.org\/?p=10490\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;@c\u00e2\u20ac\u2122s \u00e2\u20ac\u0153Espa\u00c3\u00a7o, Pausa, Repeti\u00c3\u00a7\u00c3\u00a3o\u00e2\u20ac\u009d reviewed by The Sound Projector&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[495,16,35,34],"class_list":["post-10490","post","type-post","status-publish","format-standard","hentry","category-reviews","tag-495","tag-atc","tag-miguel-carvalhais","tag-pedro-tudela","entry"],"_links":{"self":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/10490","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10490"}],"version-history":[{"count":1,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/10490\/revisions"}],"predecessor-version":[{"id":10491,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/10490\/revisions\/10491"}],"wp:attachment":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10490"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10490"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10490"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}