{"id":10522,"date":"2020-03-17T12:37:53","date_gmt":"2020-03-17T11:37:53","guid":{"rendered":"http:\/\/blog.cronicaelectronica.org\/?p=10522"},"modified":"2020-03-17T12:37:54","modified_gmt":"2020-03-17T11:37:54","slug":"new-release-sirias-boa-lingua","status":"publish","type":"post","link":"http:\/\/blog.cronicaelectronica.org\/?p=10522","title":{"rendered":"New release: S\u00c3\u00adria\u00e2\u20ac\u2122s \u00e2\u20ac\u0153Boa-L\u00c3\u00adngua\u00e2\u20ac\u009d"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large is-resized\"><a href=\"http:\/\/www.cronicaelectronica.org\/releases\/155\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2020\/03\/cronica155-2020_1440-1024x1024.jpg\" alt=\"\" class=\"wp-image-10518\" width=\"520\" height=\"520\" srcset=\"http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2020\/03\/cronica155-2020_1440-1024x1024.jpg 1024w, http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2020\/03\/cronica155-2020_1440-260x260.jpg 260w, http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2020\/03\/cronica155-2020_1440-150x150.jpg 150w, http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2020\/03\/cronica155-2020_1440-768x768.jpg 768w, http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2020\/03\/cronica155-2020_1440.jpg 1440w\" sizes=\"auto, (max-width: 520px) 100vw, 520px\" \/><\/a><\/figure>\n\n\n\n<p><a href=\"http:\/\/www.cronicaelectronica.org\/releases\/155\">Boa-L\u00c3\u00adngua<\/a>\u00c2\u00a0is the second album by\u00c2\u00a0<a href=\"http:\/\/www.cronicaelectronica.org\/artists\/Siria\">S\u00c3\u00adria<\/a>. It departs from her former work,\u00c2\u00a0<a href=\"http:\/\/www.cronicaelectronica.org\/releases\/142\">Cuspo<\/a>, using it as a foundation for structure and duration, while following very different pulses.\u00c2\u00a0Boa-L\u00c3\u00adngua\u00c2\u00a0was made from recordings of practice sessions that were not originally intended to be used or worked as songs.\u00c2\u00a0<em>Boa-L\u00c3\u00adngua<\/em>\u00c2\u00a0means \u00e2\u20ac\u0153good tongue\u00e2\u20ac\u009d, used in opposition to \u00e2\u20ac\u0153m\u00c3\u00a1-l\u00c3\u00adngua\u00e2\u20ac\u009d, literally \u00e2\u20ac\u0153bad tongue\u00e2\u20ac\u009d, a Portuguese expression for \u00e2\u20ac\u0153tittle-tattle\u00e2\u20ac\u009d.<\/p>\n\n\n\n<p>\u00e2\u20ac\u0153Can\u00c3\u00a7\u00c3\u00a3o do Gato\u00e2\u20ac\u009d is a version of a song recorded by Tiago Pereira from\u00c2\u00a0A M\u00c3\u00basica Portuguesa a Gostar Dela Pr\u00c3\u00b3pria. \u00e2\u20ac\u0153Nos Montes\u00e2\u20ac\u009d was remixed by\u00c2\u00a0<a href=\"http:\/\/www.cronicaelectronica.org\/artists\/@c\">@c<\/a>\u00e2\u20ac\u2122s Pedro Tudela &amp; Miguel Carvalhais. \u00e2\u20ac\u0153Senhora dos Rem\u00c3\u00a9dios\u00e2\u20ac\u009d is a version of a song as sang by Catarina Chitas and features a sample by Maile Colbert. \u00e2\u20ac\u0153Belgian Shepherd\u00e2\u20ac\u009d is a remix of the track by Rui P. Andrade from his album\u00c2\u00a0All Lovers Go To Heaven, it combines original sounds with recordings and voice, and it was previously released in\u00c2\u00a0Island Fever\u00c2\u00a0by Colectivo Casa Amarela. \u00e2\u20ac\u0153Ay I\u00c5\u0178\u00c4\u00b1\u00c4\u0178\u00c4\u00b1nda\u00e2\u20ac\u009d is a version of the song as sang by N\u00c9\u2122rmin\u00c9\u2122 M\u00c9\u2122mm\u00c9\u2122dova. \u00e2\u20ac\u0153For Gh\u00c3\u00a9dalia\u00e2\u20ac\u009d and \u00e2\u20ac\u0153Boa-L\u00c3\u00adngua\u00e2\u20ac\u009d feature recordings by Los Ni\u00c3\u00b1os Muertos, Andr\u00c3\u00a9 Tasso &amp; Bruno Humberto.<\/p>\n\n\n\n<p><strong>Tracklist:<\/strong><\/p>\n\n\n\n<ol class=\"wp-block-list\"><li>Can\u00c3\u00a7\u00c3\u00a3o do Gato (03:20)<\/li><li>Nos Montes (04:33)<\/li><li>Senhora dos Rem\u00c3\u00a9dios (03:51)<\/li><li>Belgian Shepherd (04:50)<\/li><li>Yar\u00c4\u00b1n (06:03)<\/li><li>Danse Macabre (10:41)<\/li><li>Ay I\u00c5\u0178\u00c4\u00b1\u00c4\u0178\u00c4\u00b1nda (06:56)<\/li><li>For Gh\u00c3\u00a9dalia (05:08)<\/li><li>Boa-L\u00c3\u00adngua (03:20)<\/li><\/ol>\n\n\n\n<ul class=\"wp-block-list\"><li>Voice and percussions: Diana Combo<\/li><li>Recording, editing and first mix: Diana Combo<\/li><li>Post-production: Tiago Martins at Fisgastudio<\/li><li>Mastering: Miguel Carvalhais<\/li><li>Artwork: Miguel Carvalhais, photos by Diana Combo<\/li><\/ul>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3645937783\/size=small\/bgcol=ffffff\/linkcol=333333\/transparent=true\/\" seamless><a href=\"http:\/\/cronica.bandcamp.com\/album\/boa-l-ngua\">Boa-L\u00c3\u00adngua by S\u00c3\u00adria<\/a><\/iframe>\n","protected":false},"excerpt":{"rendered":"<p>Boa-L\u00c3\u00adngua\u00c2\u00a0is the second album by\u00c2\u00a0S\u00c3\u00adria. It departs from her former work,\u00c2\u00a0Cuspo, using it as a foundation for structure and duration, while following very different pulses.\u00c2\u00a0Boa-L\u00c3\u00adngua\u00c2\u00a0was made from recordings of practice sessions that were not originally intended to be used or worked as songs.\u00c2\u00a0Boa-L\u00c3\u00adngua\u00c2\u00a0means \u00e2\u20ac\u0153good tongue\u00e2\u20ac\u009d, used in opposition to \u00e2\u20ac\u0153m\u00c3\u00a1-l\u00c3\u00adngua\u00e2\u20ac\u009d, literally \u00e2\u20ac\u0153bad tongue\u00e2\u20ac\u009d, a Portuguese &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/blog.cronicaelectronica.org\/?p=10522\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;New release: S\u00c3\u00adria\u00e2\u20ac\u2122s \u00e2\u20ac\u0153Boa-L\u00c3\u00adngua\u00e2\u20ac\u009d&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[475],"class_list":["post-10522","post","type-post","status-publish","format-standard","hentry","category-releases","tag-siria","entry"],"_links":{"self":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/10522","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10522"}],"version-history":[{"count":2,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/10522\/revisions"}],"predecessor-version":[{"id":10524,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/10522\/revisions\/10524"}],"wp:attachment":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10522"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10522"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10522"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}