{"id":10567,"date":"2020-06-02T14:30:10","date_gmt":"2020-06-02T13:30:10","guid":{"rendered":"http:\/\/blog.cronicaelectronica.org\/?p=10567"},"modified":"2020-06-02T14:30:12","modified_gmt":"2020-06-02T13:30:12","slug":"new-release-miguel-a-garcia-oscar-martins-kularrate","status":"publish","type":"post","link":"http:\/\/blog.cronicaelectronica.org\/?p=10567","title":{"rendered":"New release: Miguel A. Garc\u00c3\u00ada &#038; Oscar Martin\u00e2\u20ac\u2122s \u00e2\u20ac\u0153Kularrate\u00e2\u20ac\u009d"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/www.cronicaelectronica.org\/releases\/158\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2020\/06\/cronica158-2020_1440-1024x1024.jpg\" alt=\"\" class=\"wp-image-10568\" srcset=\"http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2020\/06\/cronica158-2020_1440-1024x1024.jpg 1024w, http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2020\/06\/cronica158-2020_1440-260x260.jpg 260w, http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2020\/06\/cronica158-2020_1440-150x150.jpg 150w, http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2020\/06\/cronica158-2020_1440-768x768.jpg 768w, http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2020\/06\/cronica158-2020_1440.jpg 1440w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p>Composed with materials generated by\u00c2\u00a0<a href=\"http:\/\/www.cronicaelectronica.org\/artists\/Miguel-A-Garcia\">Miguel A. Garc\u00c3\u00ada<\/a>\u00c2\u00a0and\u00c2\u00a0<a href=\"http:\/\/www.cronicaelectronica.org\/artists\/Oscar-Martin\">Oscar Martin<\/a>\u00c2\u00a0in a meeting in the town of Apodaka, in Alava, Basque country, in the year 2015, this electroacoustic piece was originally released by the label Rhizome.s. Never completely satisfied with the result, during this confinement, Miguel A. Garc\u00c3\u00ada decided to revise it, reworking the mix, giving another dimension to the sounds and being more precise in the dynamics.\u00c2\u00a0<strong>Kularrate<\/strong>\u00c2\u00a0is constructed from purely electronic sounds, a mix of the usual no-input mixer by Miguel and the digital sounds of Oscar Martin (a.k.a. Noish), which were later manipulated and composed by Miguel. The result is an electro-acoustic piece, with rough sounds, like rust, that paradoxically was created in a completely rural environment, with the only distraction of some children that all the time were curious about the process. The atmosphere of the piece is a little dark and dense, with slight tints of threat&#8230; maybe a warning for those children to let us work quietly in our sound laboratory.<\/p>\n\n\n\n<p><strong>Miguel A. Garc\u00c3\u00ada<\/strong>, also known as Xedh,\u00c2\u00a0is an artist resident in Bilbao who\u00c2\u00a0works on the field of experimental\u00c2\u00a0music and sound art. Trained in Fine Arts, he works on electroacoustic composition and improvisation, using sources obtained from the manipulation of electrical devices, sometimes mixing these with sounds of acoustic instruments and field recordings.<\/p>\n\n\n\n<p><strong>Oscar Martin<\/strong> is a sound artist, independent researcher and programmer. His practice could be understood as a knowledge device where art, science and technology hybridize and converge from an unorthodox and experimental approach. From the sound dimension, his pieces propose to encourage active listening and expand our perception through the psychoacoustic experience of the phenomenon of the emergence of structures and patterns at the limits of chaos and order.<\/p>\n\n\n\n<p><strong>Tracklist:<\/strong><\/p>\n\n\n\n<ol class=\"wp-block-list\"><li>Kularrate (25:38)<\/li><\/ol>\n\n\n\n<ul class=\"wp-block-list\"><li>Composed by Miguel A. Garc\u00c3\u00ada<\/li><li>Original sound materials by Miguel A. Garc\u00c3\u00ada &amp; Oscar Martin<\/li><li>Mastered by Ilia Belorukov<\/li><li>Cover drawing by Andrea Bolognino<\/li><\/ul>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=696337392\/size=small\/bgcol=ffffff\/linkcol=333333\/transparent=true\/\" seamless><a href=\"http:\/\/cronica.bandcamp.com\/album\/kularrate\">Kularrate by Miguel A. Garc\u00c3\u00ada &amp; Oscar Martin<\/a><\/iframe>\n","protected":false},"excerpt":{"rendered":"<p>Composed with materials generated by\u00c2\u00a0Miguel A. Garc\u00c3\u00ada\u00c2\u00a0and\u00c2\u00a0Oscar Martin\u00c2\u00a0in a meeting in the town of Apodaka, in Alava, Basque country, in the year 2015, this electroacoustic piece was originally released by the label Rhizome.s. Never completely satisfied with the result, during this confinement, Miguel A. Garc\u00c3\u00ada decided to revise it, reworking the mix, giving another dimension &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/blog.cronicaelectronica.org\/?p=10567\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;New release: Miguel A. Garc\u00c3\u00ada &#038; Oscar Martin\u00e2\u20ac\u2122s \u00e2\u20ac\u0153Kularrate\u00e2\u20ac\u009d&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[249,508],"class_list":["post-10567","post","type-post","status-publish","format-standard","hentry","category-releases","tag-miguel-a-garcia","tag-oscar-martin","entry"],"_links":{"self":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/10567","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10567"}],"version-history":[{"count":1,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/10567\/revisions"}],"predecessor-version":[{"id":10569,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/10567\/revisions\/10569"}],"wp:attachment":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10567"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10567"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10567"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}