{"id":10831,"date":"2021-09-07T10:29:00","date_gmt":"2021-09-07T09:29:00","guid":{"rendered":"http:\/\/blog.cronicaelectronica.org\/?p=10831"},"modified":"2021-09-07T09:00:19","modified_gmt":"2021-09-07T08:00:19","slug":"new-release-lucas-alvarados-la-ausencia-como-lenguaje","status":"publish","type":"post","link":"http:\/\/blog.cronicaelectronica.org\/?p=10831","title":{"rendered":"New release: Lucas Alvarado\u00e2\u20ac\u2122s \u00e2\u20ac\u0153La Ausencia Como Lenguaje\u00e2\u20ac\u009d"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large is-resized\"><a href=\"http:\/\/www.cronicaelectronica.org\/releases\/172\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2021\/09\/cronica172-2021_1440-1024x1024.jpg\" alt=\"\" class=\"wp-image-10832\" width=\"520\" height=\"520\" srcset=\"http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2021\/09\/cronica172-2021_1440-1024x1024.jpg 1024w, http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2021\/09\/cronica172-2021_1440-260x260.jpg 260w, http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2021\/09\/cronica172-2021_1440-150x150.jpg 150w, http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2021\/09\/cronica172-2021_1440-768x768.jpg 768w, http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2021\/09\/cronica172-2021_1440.jpg 1440w\" sizes=\"auto, (max-width: 520px) 100vw, 520px\" \/><\/a><\/figure>\n\n\n\n<p>Cr\u00c3\u00b3nica is delighted to present Lucas Alvarado\u00e2\u20ac\u2122s debut in the label with <a href=\"http:\/\/www.cronicaelectronica.org\/releases\/172\"><em>La Ausencia Como Lenguaje<\/em><\/a>.<\/p>\n\n\n\n<p><em>La Ausencia Como Lenguaje<\/em> is comprised of a series of sound reflections on the absence of people in sites built by and for humans, and about the absence of art in our reality. Abandonment and absence are sometimes thought of as being consequences of crisis, but they became essential traits of our cultural landscape in a post-pandemic time.<\/p>\n\n\n\n<p>Lucas Alvarado is a Chilean composer and viola da gamba player, based in France. He studied at the Conservatoire National Sup\u00c3\u00a9rieur de Lyon and the Hochschule f\u00c3\u00bcr Musik in Leipzig, specialising in early music and electroacoustic composition. Currently, in Lyon, he develops a multidisciplinary project that fuses medieval music, electronic composition, dance and video mapping. At the same time, he is an artist-in-residence as DJ for Noods Radio (UK), Radio B\u00c3\u00a9guin (Fr) and Kapital Radio (Pl) making broadcasts around the world, experimental music, field recordings and sound art.<\/p>\n\n\n\n<p><em><a href=\"http:\/\/www.cronicaelectronica.org\/releases\/172\">La Ausencia Como Lenguaje<\/a><\/em> is now available for stream or download.<\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2505063321\/size=small\/bgcol=ffffff\/linkcol=333333\/artwork=none\/transparent=true\/\" seamless><a href=\"https:\/\/cronica.bandcamp.com\/album\/la-ausencia-como-lenguaje\">La Ausencia Como Lenguaje by Lucas Alvarado<\/a><\/iframe>\n","protected":false},"excerpt":{"rendered":"<p>Cr\u00c3\u00b3nica is delighted to present Lucas Alvarado\u00e2\u20ac\u2122s debut in the label with La Ausencia Como Lenguaje. La Ausencia Como Lenguaje is comprised of a series of sound reflections on the absence of people in sites built by and for humans, and about the absence of art in our reality. Abandonment and absence are sometimes thought &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/blog.cronicaelectronica.org\/?p=10831\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;New release: Lucas Alvarado\u00e2\u20ac\u2122s \u00e2\u20ac\u0153La Ausencia Como Lenguaje\u00e2\u20ac\u009d&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[534],"class_list":["post-10831","post","type-post","status-publish","format-standard","hentry","category-releases","tag-lucas-alvarado","entry"],"_links":{"self":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/10831","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10831"}],"version-history":[{"count":3,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/10831\/revisions"}],"predecessor-version":[{"id":10835,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/10831\/revisions\/10835"}],"wp:attachment":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10831"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10831"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10831"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}