{"id":11324,"date":"2023-09-18T09:31:39","date_gmt":"2023-09-18T08:31:39","guid":{"rendered":"http:\/\/blog.cronicaelectronica.org\/?p=11324"},"modified":"2023-09-18T09:31:39","modified_gmt":"2023-09-18T08:31:39","slug":"lisboa-soa-sounds-within-sounds-reviewed-by-african-paper","status":"publish","type":"post","link":"http:\/\/blog.cronicaelectronica.org\/?p=11324","title":{"rendered":"\u201cLisboa Soa: Sounds within Sounds\u201d reviewed by\u00a0African Paper"},"content":{"rendered":"\n
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Cr\u00f3nica bringen Ende des Monats eine CD mit vier Tracks heraus, die das portugiesische Festival Lisboa Soa in den Jahren von 2016 \u2013 2020 dokumentieren. Vertreten sind Ana Guedes, Jo\u00e3o Castro Pinto, Mestre\u00a0Andr\u00e9 und Sara\u00a0Pinheiro \u2013 vier Vertreterinnen und Vertreter der einheimischen Experimentalszene, die als Komponisten, Soundesigner- und Performer in verschiedenen Kontexten aktiv sind und mit ganz unterschiedlichen Klangmaterialien arbeiten.<\/p>\n\n\n\n

Die vorliegenden Arbeiten basieren auf Mitschnitten aus den Archiven des Festivals. Diese wurden 2021, als pandemiebedingt erstmals kein Festival abgehalten werden konnte, einer gr\u00fcndlichen Revision und Neuinterpretation unterzogen und in die hier zu h\u00f6renden Formen gebracht. Mit seinen den Raum bewusst einbeziehenden Performances, Workshops und zum Teil environmentartigen Installationen gibt Lisboa Soa den k\u00fcnstlerischen Arbeiten eine r\u00e4umliche und damit zusammenh\u00e4ngend auch soziale und \u00f6kologische Dimension. Dies betont auch die Kuratorin Raquel Castro, die auch als Herausgeberin der Compilation fungiert, in ihren Liner Notes: \u201cThe purpose of Lisboa Soa is to encourage listening to better understand the place we occupy, and to raise awareness of the impact of human presence on the planet. Acoustic ecology, the discipline that inspired the festival since its foundation, places listening at the centre, and this is also the focus of Lisboa Soa: to shift attention to the ears and to create conditions, spatial and temporal, that are conducive to the act of listening attentively. One of the main goals of Lisboa Soa is to bring the audience to iconic spaces and create auditory experiences that guide visitors through these spaces, while at the same time provoking a reflection on the involvement of human beings with the environment, with others, with the city and how it all connects through sound.<\/p>\n\n\n\n

In 2021, after five editions \u2014 one of them particularly intense, during a year of pandemic and restrictions \u2014 Lisboa Soa decided to \u201clisten backwards\u201d, commissioning four compositions to four Portuguese artists, who delved into the festival\u2019s sound archive to create new interpretations and meanings from it. This album is created from these compositions: it is a work about memory, with an ear to the future\u201d. Neben der CD ist \u201cLisboa Soa, Sounds Within Sounds\u201d auch zum Download erh\u00e4ltlich.<\/p>\n\n\n\n

via African Paper<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Cr\u00f3nica bringen Ende des Monats eine CD mit vier Tracks heraus, die das portugiesische Festival Lisboa Soa in den Jahren von 2016 \u2013 2020 dokumentieren. Vertreten sind Ana Guedes, Jo\u00e3o Castro Pinto, Mestre\u00a0Andr\u00e9 und Sara\u00a0Pinheiro \u2013 vier Vertreterinnen und Vertreter der einheimischen Experimentalszene, die als Komponisten, Soundesigner- und Performer in verschiedenen Kontexten aktiv sind und … <\/p>\n

Continue reading “\u201cLisboa Soa: Sounds within Sounds\u201d reviewed by\u00a0African Paper”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[573,572],"class_list":["post-11324","post","type-post","status-publish","format-standard","hentry","category-reviews","tag-573","tag-lisboa-soa","entry"],"_links":{"self":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/11324","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11324"}],"version-history":[{"count":1,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/11324\/revisions"}],"predecessor-version":[{"id":11325,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/11324\/revisions\/11325"}],"wp:attachment":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11324"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11324"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11324"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}