{"id":11512,"date":"2024-09-26T15:54:00","date_gmt":"2024-09-26T14:54:00","guid":{"rendered":"http:\/\/blog.cronicaelectronica.org\/?p=11512"},"modified":"2024-09-24T15:55:37","modified_gmt":"2024-09-24T14:55:37","slug":"philippe-petits-a-divine-comedy-reviewed-by-musique-machine","status":"publish","type":"post","link":"http:\/\/blog.cronicaelectronica.org\/?p=11512","title":{"rendered":"Philippe Petit\u2019s \u201cA Divine Comedy\u201d reviewed by\u00a0Musique Machine"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large is-resized\"><a href=\"https:\/\/www.cronicaelectronica.org\/212\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2023\/12\/cron212-2024_1440-1024x1024.jpg\" alt=\"Cover of the album &quot;A Divine Comedy&quot;\" class=\"wp-image-11360\" style=\"width:520px\" srcset=\"http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2023\/12\/cron212-2024_1440-1024x1024.jpg 1024w, http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2023\/12\/cron212-2024_1440-260x260.jpg 260w, http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2023\/12\/cron212-2024_1440-150x150.jpg 150w, http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2023\/12\/cron212-2024_1440-768x768.jpg 768w, http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2023\/12\/cron212-2024_1440.jpg 1440w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p>A Divine Comedy is a two-disc journey into jarring, shifting, moody, at points decidedly hellish electro-symphonic-come-electro-acoustic sound scaping from French musician, journalists and radio DJ Philippe Petit. The release is themed around\/roughly based on the 18th-century poem of the same name by Dante Alighieri.<\/p>\n\n\n\n<p>The release comes presented in a mini card gatefold- on its front cover it features a blood and fire red collage taking in overlaid images from what looks like old religious prints of hell, demons, and a headless gowned figure. Inside we find an eight-page booklet- this details the themes of the work, sonically what each track consists of, and a rundown of each track&#8217;s plot.<\/p>\n\n\n\n<p>Disc number one takes in six tracks- these move from \u201cHalas Jacta Est\u201d with its raising &#8216;n&#8217; falling baying elector tones, inside piano fumbling\/ twang, and jarring cut-up male &amp; female vocal samples with a decidedly theatrical leaning. Onto bubbling-to-beaded analogue synth tones, rushing ambience, and unease mumbles &#8216;n&#8217; screams of \u201cThe Descent\u201d. Though to the tolling keys, synth bay, electro billow\/ stretch, subtle gong strike, and plodding horn trumpeting of \u201cLucifer, Fallen Angel\u201d.<\/p>\n\n\n\n<p>The second CD features five tracks. We go from textural fumble \u2018n\u2019 creak, slow-mo string bay, and sudden jarring percussive rattle of \u201cPurgatorio, Canto I\u201d. There\u2019s plodding &amp; pitch warping \u201cPurgatorio, Canto III\u201d which blends sombre string glide, electro stretches, and searing pitch climbs. The disc plays out with \u201cParadiso, Canto II\u201d with its shrill &amp; warbling tones, harmonic piano key strikes, bass-bound electro purrs, and turntable sound grain.<\/p>\n\n\n\n<p>A Divine Comedy certainly takes you on a jarring &amp; often seared sonic journey- I can see this appeal to those who enjoy their symphonic sounds unpredictable, noise-bound, and dangerous. <em>Roger Batty<\/em><\/p>\n\n\n\n<p>via <a href=\"https:\/\/www.musiquemachine.com\/reviews\/reviews_template.php?id=10681\">Musique Machine<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A Divine Comedy is a two-disc journey into jarring, shifting, moody, at points decidedly hellish electro-symphonic-come-electro-acoustic sound scaping from French musician, journalists and radio DJ Philippe Petit. The release is themed around\/roughly based on the 18th-century poem of the same name by Dante Alighieri. The release comes presented in a mini card gatefold- on its &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/blog.cronicaelectronica.org\/?p=11512\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Philippe Petit\u2019s \u201cA Divine Comedy\u201d reviewed by\u00a0Musique Machine&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[578,570],"class_list":["post-11512","post","type-post","status-publish","format-standard","hentry","category-reviews","tag-578","tag-philippe-petit","entry"],"_links":{"self":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/11512","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11512"}],"version-history":[{"count":1,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/11512\/revisions"}],"predecessor-version":[{"id":11513,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/11512\/revisions\/11513"}],"wp:attachment":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11512"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11512"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11512"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}