{"id":11709,"date":"2025-06-16T10:23:54","date_gmt":"2025-06-16T09:23:54","guid":{"rendered":"http:\/\/blog.cronicaelectronica.org\/?p=11709"},"modified":"2025-06-16T10:23:54","modified_gmt":"2025-06-16T09:23:54","slug":"ilia-belorukovs-nrd-drm-two-2022-2024-reviewed-by-african-paper","status":"publish","type":"post","link":"http:\/\/blog.cronicaelectronica.org\/?p=11709","title":{"rendered":"Ilia Belorukov\u2019s \u201cNRD DRM TWO 2022-2024\u201d reviewed by\u00a0African Paper"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large is-resized\"><a href=\"https:\/\/www.cronicaelectronica.org\/236\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2025\/04\/cronica236-2025_1440-1024x1024.jpg\" alt=\"\" class=\"wp-image-11673\" style=\"width:520px\" srcset=\"http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2025\/04\/cronica236-2025_1440-1024x1024.jpg 1024w, http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2025\/04\/cronica236-2025_1440-260x260.jpg 260w, http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2025\/04\/cronica236-2025_1440-150x150.jpg 150w, http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2025\/04\/cronica236-2025_1440-768x768.jpg 768w, http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2025\/04\/cronica236-2025_1440.jpg 1440w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p>Mit \u201cNRD DRM TWO 2022\u20132024\u2033 ver\u00f6ffentlicht Ilia Belorukov bei Cr\u00f3nica eine neue Sammlung von Aufnahmen, die sich einem pr\u00e4zise gesetzten formalen Prinzip widmen: einem einstufigen Pattern mit variierendem Tempo, gespielt ausschlie\u00dflich auf dem Nord Drum 2. Die St\u00fccke entstanden in einem konzentrierten Arbeitsprozess zwischen 2022 und 2024, ohne nachtr\u00e4gliche Bearbeitung oder Schnitte. Lediglich minimale klangtechnische Eingriffe wie Kompression und Equalisierung kamen zum Einsatz.<a href=\"http:\/\/africanpaper.com\/wp-content\/uploads\/2025\/05\/nrd.jpg\"><\/a><\/p>\n\n\n\n<p>Im Zentrum steht dabei weniger rhythmische Virtuosit\u00e4t als das feine Ausloten von Frequenzverhalten und r\u00e4umlicher Tiefe. Vom Label hei\u00dft es: \u201cThe Nord Drum 2 has six channels, and in most scenarios, even one single channel gives a lot of sound to dive into the changing tempo\u2019s routine. Besides that, this time Belorukov was concentrating on reverberation algorithms applied to the synthesiser\u2019s sound. Creating artificial spaces made a huge impact on music and even a small addition of reverberation deeply transforms the sound. Adjusting parameters is an endless process, and he tried to simplify it to keep the idea of making music on the spot without overthinking. No edits or additional recordings were made. After the recording, some equalisation and compression were used to complete each piece.\u201d Das Album erscheint als CD und zum Download.<\/p>\n\n\n\n<p>via <a href=\"http:\/\/africanpaper.com\/2025\/06\/16\/ilia-belorukov-mit-neuer-cd-bei-cronica\/\">African Paper<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mit \u201cNRD DRM TWO 2022\u20132024\u2033 ver\u00f6ffentlicht Ilia Belorukov bei Cr\u00f3nica eine neue Sammlung von Aufnahmen, die sich einem pr\u00e4zise gesetzten formalen Prinzip widmen: einem einstufigen Pattern mit variierendem Tempo, gespielt ausschlie\u00dflich auf dem Nord Drum 2. Die St\u00fccke entstanden in einem konzentrierten Arbeitsprozess zwischen 2022 und 2024, ohne nachtr\u00e4gliche Bearbeitung oder Schnitte. Lediglich minimale klangtechnische &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/blog.cronicaelectronica.org\/?p=11709\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Ilia Belorukov\u2019s \u201cNRD DRM TWO 2022-2024\u201d reviewed by\u00a0African Paper&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[606,561],"class_list":["post-11709","post","type-post","status-publish","format-standard","hentry","category-reviews","tag-606","tag-ilia-belorukov","entry"],"_links":{"self":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/11709","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11709"}],"version-history":[{"count":1,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/11709\/revisions"}],"predecessor-version":[{"id":11710,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/11709\/revisions\/11710"}],"wp:attachment":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11709"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11709"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11709"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}