{"id":4344,"date":"2011-03-07T10:43:11","date_gmt":"2011-03-07T09:43:11","guid":{"rendered":"http:\/\/blog.cronicaelectronica.org\/?p=4344"},"modified":"2017-01-07T20:17:23","modified_gmt":"2017-01-07T19:17:23","slug":"strings-lines-reviewed-by-essmaa","status":"publish","type":"post","link":"http:\/\/blog.cronicaelectronica.org\/?p=4344","title":{"rendered":"\u00e2\u20ac\u0153strings.lines\u00e2\u20ac\u009d reviewed by Essmaa"},"content":{"rendered":"

\"strings.lines\"
\nNicolas Bernier est n\u00c3\u00a9 en 1977 \u00c3\u00a0 Ottawa, Canada et r\u00c3\u00a9side d\u00c3\u00a9sormais \u00c3\u00a0 Montr\u00c3\u00a9al. La musique de Nicolas Bernier est \u00c3\u00a0 la fois entre \u00c2\u00bb l\u00e2\u20ac\u2122ancienne et la nouvelle \u00c2\u00ab . Cr\u00c3\u00a9\u00c3\u00a9es entre 2008 et 2010, les cinq pi\u00c3\u00a8ces qui composent ce disque sont autant de visions transverses, de passerelles entre viole de gambe, violon et am\u00c3\u00a9nagements \u00c3\u00a9lectroniques. Comme il aime la d\u00c3\u00a9finir lui m\u00c3\u00aame \u00c2\u00ab c\u00e2\u20ac\u2122est la musique \u00c3\u00a9lectronique fait \u00c3\u00a0 partir d\u00e2\u20ac\u2122objets du pass\u00c3\u00a9: la machine \u00c3\u00a0 \u00c3\u00a9crire, machines anciennes, diapasons, sonore memorys et instruments de musique. \u00c2\u00bb Une musique gorg\u00c3\u00a9e de micro sons captur\u00c3\u00a9s dans le sables, d\u00e2\u20ac\u2122infimes r\u00c3\u00a9sonances qui nous viennent de la mer, des complaintes de mouettes et des images oscillant \u00c3\u00a0 la lueur d\u00e2\u20ac\u2122une bougie. Sans difficult\u00c3\u00a9, nous plongeons dans cet univers m\u00c3\u00a9ditatif o\u00c3\u00b9 les drones et les nappes gr\u00c3\u00a9sillantes tentent une correspondance avec des estampes en contre-plans dessin\u00c3\u00a9s par des projections d\u00e2\u20ac\u2122archives en noir et blanc. Doux m\u00c3\u00a9lange de cr\u00c3\u00a9pitements d\u00c3\u00a9sordonn\u00c3\u00a9s et d\u00e2\u20ac\u2122ondulations aquatiques, parfois travers\u00c3\u00a9 de crashs num\u00c3\u00a9riques, ce disque est une belle confrontation de styles et d\u00e2\u20ac\u2122\u00c3\u00a9poques qui place notre canadien \u00c3\u00a0 la pointe de la modernit\u00c3\u00a9, qui rappelle \u00c3\u00a0 la fois Labradford et le duo Fripp & Eno, ou plus r\u00c3\u00a9cemment Christian Fennesz renouant avec le touch\u00c3\u00a9 soyeux de Ryuichi Sakamoto. Ce qui laisse pr\u00c3\u00a9sager de nouvelles et fructueuses compositions. A noter \u00c3\u00a9galement, la participation de Nicolas \u00c3\u00a0 la compilation Essmaa.<\/p>\n

via Essmaa<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Nicolas Bernier est n\u00c3\u00a9 en 1977 \u00c3\u00a0 Ottawa, Canada et r\u00c3\u00a9side d\u00c3\u00a9sormais \u00c3\u00a0 Montr\u00c3\u00a9al. La musique de Nicolas Bernier est \u00c3\u00a0 la fois entre \u00c2\u00bb l\u00e2\u20ac\u2122ancienne et la nouvelle \u00c2\u00ab . Cr\u00c3\u00a9\u00c3\u00a9es entre 2008 et 2010, les cinq pi\u00c3\u00a8ces qui composent ce disque sont autant de visions transverses, de passerelles entre viole de gambe, violon … <\/p>\n

Continue reading “\u00e2\u20ac\u0153strings.lines\u00e2\u20ac\u009d reviewed by Essmaa”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[387,97],"class_list":["post-4344","post","type-post","status-publish","format-standard","hentry","category-reviews","tag-387","tag-nicolas-bernier","entry"],"_links":{"self":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/4344","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4344"}],"version-history":[{"count":3,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/4344\/revisions"}],"predecessor-version":[{"id":8806,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/4344\/revisions\/8806"}],"wp:attachment":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4344"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4344"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4344"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}