{"id":4521,"date":"2011-04-30T10:00:28","date_gmt":"2011-04-30T09:00:28","guid":{"rendered":"http:\/\/blog.cronicaelectronica.org\/?p=4521"},"modified":"2017-01-07T20:17:23","modified_gmt":"2017-01-07T19:17:23","slug":"strings-lines-reviewed-by-uni","status":"publish","type":"post","link":"http:\/\/blog.cronicaelectronica.org\/?p=4521","title":{"rendered":"\u00e2\u20ac\u0153strings.lines\u00e2\u20ac\u009d reviewed by Uni"},"content":{"rendered":"

\"strings.lines\"
\nU\u00c5\u00be od prvn\u00c3\u00adch ab Nicolase Berniera bylo jasn\u00c3\u00a9, \u00c5\u00bee se v zemi po\u00c5\u00beehnan\u00c3\u00a9 elektroakustich\u00c3\u00a9 improvizaci zjevila nov\u00c3\u00a1 hv\u00c4\u203azda velk\u00c3\u00a9 sv\u00c3\u00adtivosti. Tuto pozici nav\u00c3\u00adc potvrzuje i vyd\u00c3\u00a1n\u00c3\u00adm posledn\u00c3\u00adch dvou alb, kter\u00c3\u00a1 vy \u00c5\u00a1la jen v rozmez\u00c3\u00ad n\u00c4\u203akolika t\u00c3\u00bddnu. Za ob\u00c4\u203ama jsou pom\u00c4\u203arn\u00c4\u203a jasn\u00c3\u00a9 vize, ka\u00c5\u00bed\u00c3\u00a9 posazen\u00c3\u00a9 do jin\u00c3\u00a9ho kouta. Ob\u00c4\u203a desky pak pom\u00c3\u00a1haj\u00c3\u00ad dot vo\u00c3\u00b1t jin\u00c3\u00ad muzikanti \u00e2\u20ac\u201d spolupracovn\u00c3\u00adci. Za\u00c4\u008dneme s albem Strings.Lines, jeho\u00c5\u00be praz\u00c3\u00a1klademje, i kdy\u00c5\u00be to nen\u00c3\u00ad z nahr\u00c3\u00a1vky jasn\u00c4\u203a sly\u00c5\u00a1et, Nicolasova sb\u00c4\u203aratelsk\u00c3\u00a1 v\u00c3\u00a1\u00c5\u00a1e\u00c5\u02c6 \u00e2\u20ac\u201d ladi\u00c4\u008dky \u00e2\u20ac\u201d rozmanit\u00c3\u00a9 kusy \u00c5\u00beeleza, z nich\u00c5\u00be n\u00c4\u203akter\u00c3\u00a9 vyd\u00c3\u00a1vaj\u00c3\u00ad zvuky na konci sly\u00c5\u00a1iteln\u00c3\u00a9ho spektra. Transformac\u00c3\u00ad zm\u00c4\u203anily cel\u00c3\u00bd projekt sm\u00c4\u203arem ke klasick\u00c3\u00a9 modern\u00c4\u203a. Pierre-Yves Mertel s violou de gamba a Chris Bartos s houslemi jsou toti\u00c5\u00be protiv\u00c3\u00a1hou jednoho ze symbolu evropsk\u00c3\u00a9 hudebn\u00c3\u00ad tradice, kterou ladi\u00c4\u008dka automaticky symbolizuje. V\u00c3\u00bdsledek je nakonec minimalistick\u00c3\u00bd opus o p\u00c4\u203ati \u00c4\u008d\u00c3\u00a1stech, z nich\u00c5\u00be ka\u00c5\u00bed\u00c3\u00a1 se odchyluje m\u00c3\u00adrn\u00c4\u203a jin\u00c3\u00bdm sm\u00c4\u203arem. \u00c3\u0161vod d\u00c3\u00bdch\u00c3\u00a1 klasi\u00c4\u008dt\u00c4\u203aj\u00c5\u00a1\u00c3\u00adm glassovsk\u00c3\u00bdrn minimalismem, n\u00c3\u00a1sledov\u00c3\u00a1n okam\u00c5\u00beiky p\u00c5\u2122ipom\u00c3\u00adnaj\u00c3\u00adc\u00c3\u00admi elektronick\u00c3\u00a9ho puristu Ryoji Ikedu nebo naopak tradicionalistu Arvo P\u00c3\u00a4rta. Co je ale nejd\u00c3\u00bcle\u00c5\u00beit\u00c4\u203aj\u00c5\u00a1\u00c3\u00ad, je p\u00c5\u2122esv\u00c4\u203ad\u00c4\u008divost celkov\u00c3\u00a9ho konceptu, kter\u00c3\u00bd dodr\u00c5\u00beel prim\u00c3\u00a1rni zad\u00c3\u00a1n\u00c3\u00ad a nav\u00c3\u00adc p\u00c5\u2122inesl muziku, kter\u00c3\u00a1 koncept pov\u00c3\u00bd\u00c5\u00a1ila na siln\u00c3\u00bd z\u00c3\u00a1\u00c5\u00beitek i pro toho, kdo nem\u00c3\u00a1 o teoretick\u00c3\u00bdch z\u00c3\u00a1kladech \u00c4\u008dtynceti minutov\u00c3\u00a9 novinky ani p\u00c3\u00a1ru.<\/p>\n","protected":false},"excerpt":{"rendered":"

U\u00c5\u00be od prvn\u00c3\u00adch ab Nicolase Berniera bylo jasn\u00c3\u00a9, \u00c5\u00bee se v zemi po\u00c5\u00beehnan\u00c3\u00a9 elektroakustich\u00c3\u00a9 improvizaci zjevila nov\u00c3\u00a1 hv\u00c4\u203azda velk\u00c3\u00a9 sv\u00c3\u00adtivosti. Tuto pozici nav\u00c3\u00adc potvrzuje i vyd\u00c3\u00a1n\u00c3\u00adm posledn\u00c3\u00adch dvou alb, kter\u00c3\u00a1 vy \u00c5\u00a1la jen v rozmez\u00c3\u00ad n\u00c4\u203akolika t\u00c3\u00bddnu. Za ob\u00c4\u203ama jsou pom\u00c4\u203arn\u00c4\u203a jasn\u00c3\u00a9 vize, ka\u00c5\u00bed\u00c3\u00a9 posazen\u00c3\u00a9 do jin\u00c3\u00a9ho kouta. Ob\u00c4\u203a desky pak pom\u00c3\u00a1haj\u00c3\u00ad dot vo\u00c3\u00b1t jin\u00c3\u00ad … <\/p>\n

Continue reading “\u00e2\u20ac\u0153strings.lines\u00e2\u20ac\u009d reviewed by Uni”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[387,97],"class_list":["post-4521","post","type-post","status-publish","format-standard","hentry","category-reviews","tag-387","tag-nicolas-bernier","entry"],"_links":{"self":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/4521","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4521"}],"version-history":[{"count":3,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/4521\/revisions"}],"predecessor-version":[{"id":8804,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/4521\/revisions\/8804"}],"wp:attachment":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4521"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4521"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4521"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}