{"id":5521,"date":"2012-05-07T10:57:44","date_gmt":"2012-05-07T09:57:44","guid":{"rendered":"http:\/\/blog.cronicaelectronica.org\/?p=5521"},"modified":"2017-01-06T11:41:23","modified_gmt":"2017-01-06T10:41:23","slug":"untitled-284-reviewed-by-monsieur-delire","status":"publish","type":"post","link":"http:\/\/blog.cronicaelectronica.org\/?p=5521","title":{"rendered":"\u00e2\u20ac\u0153Untitled #284\u00e2\u20ac\u009d reviewed by Monsieur D\u00c3\u00a9lire"},"content":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/www.cronicaelectronica.org\/img\/cat\/066-2012-b.jpg\" alt=\"Untitled #284\" \/><br \/>\nI think I hear church bells at the beginning of this 43-minute work, a lively and constrasted work. If you have ever felt that L\u00c3\u00b3pez\u00e2\u20ac\u2122s music was monotonous or minimalistic, please know that his style has been evolving. The latest recordings I have heard are often quite varied to the ear. For instance, this \u00e2\u20ac\u0153Untitled #284\u00e2\u20ac\u009d is a suite where each scene uses a different sound palette &#8211; actually, there are thematic relapses, like those bells. This new work was made from field recordings made in Lisbon in 1992, but these have been heavily mutated, and the resulting piece is mysterious, subtle and strong, like L\u00c3\u00b3pez\u00e2\u20ac\u2122s best work. <em>Fran\u00c3\u00a7ois Couture<\/em><\/p>\n<p>via <a href=\"http:\/\/blog.monsieurdelire.com\/2012\/05\/2012-05-01-francisco-lopez-berangere.html\">Monsieur D\u00c3\u00a9lire<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I think I hear church bells at the beginning of this 43-minute work, a lively and constrasted work. If you have ever felt that L\u00c3\u00b3pez\u00e2\u20ac\u2122s music was monotonous or minimalistic, please know that his style has been evolving. The latest recordings I have heard are often quite varied to the ear. For instance, this \u00e2\u20ac\u0153Untitled &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/blog.cronicaelectronica.org\/?p=5521\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;\u00e2\u20ac\u0153Untitled #284\u00e2\u20ac\u009d reviewed by Monsieur D\u00c3\u00a9lire&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[377,177],"class_list":["post-5521","post","type-post","status-publish","format-standard","hentry","category-reviews","tag-377","tag-francisco-lopez","entry"],"_links":{"self":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/5521","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5521"}],"version-history":[{"count":3,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/5521\/revisions"}],"predecessor-version":[{"id":8780,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/5521\/revisions\/8780"}],"wp:attachment":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5521"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5521"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5521"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}