{"id":7498,"date":"2015-02-06T14:59:22","date_gmt":"2015-02-06T13:59:22","guid":{"rendered":"http:\/\/blog.cronicaelectronica.org\/?p=7498"},"modified":"2017-01-02T17:30:28","modified_gmt":"2017-01-02T16:30:28","slug":"ma-org-pa-git-ma-org-pa-git-re-mx-reviewed-by-irate-music","status":"publish","type":"post","link":"http:\/\/blog.cronicaelectronica.org\/?p=7498","title":{"rendered":"\u00e2\u20ac\u0153Ma.Org Pa.Git\u00e2\u20ac\u009d &#038; \u00e2\u20ac\u0153Ma.Org Pa.Git Re.Mx\u00e2\u20ac\u009d reviewed by Irate Music"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2015\/02\/cronica091-2015_520.jpg\" alt=\"cronica091-2015_520\" width=\"520\" height=\"508\" class=\"alignnone size-full wp-image-7476\" srcset=\"http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2015\/02\/cronica091-2015_520.jpg 520w, http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2015\/02\/cronica091-2015_520-260x254.jpg 260w\" sizes=\"auto, (max-width: 520px) 100vw, 520px\" \/><br \/>\nCzo\u00c5\u201aowa posta\u00c4\u2021 norweskiej sceny eksperymentalnej, Alexander Rishaug, wesz\u00c5\u201aa w taki dialog z jednym z ko\u00c5\u203acio\u00c5\u201a\u00c3\u00b3w w Rotterdamie w 2012 roku, a efekty tego znalaz\u00c5\u201ay si\u00c4\u2122 na albumie \u00e2\u20ac\u017eMa.Org Pa.Git\u00e2\u20ac\u009d (Cr\u00c3\u00b3nica). Domy\u00c5\u203alam si\u00c4\u2122, \u00c5\u00bce jego uwag\u00c4\u2122 przyci\u00c4\u2026gn\u00c4\u2122\u00c5\u201ao samo brzmienie organ\u00c3\u00b3w, gdy\u00c5\u00bc w pierwszej kompozycji \u00e2\u20ac\u017eMa.Org\u00e2\u20ac\u009d s\u00c5\u201ayszymy, szczeg\u00c3\u00b3lnie w ko\u00c5\u201ec\u00c3\u00b3wce tego d\u00c5\u201augiego nagrania, jakie barwy artysta wydobywa z tego instrumentu \u00e2\u20ac\u201c delikatne, pulsuj\u00c4\u2026ce i migocz\u00c4\u2026ce d\u00c5\u00bawi\u00c4\u2122ki tworz\u00c4\u2026ce znakomite ambientowe plamy, za\u00c5\u203a z drugiej strony dochodz\u00c4\u2026 do nas nieokre\u00c5\u203alone odg\u00c5\u201aosy uzyskane w trakcie nieokre\u00c5\u203alonych czynno\u00c5\u203aci. Drugi utw\u00c3\u00b3r \u00e2\u20ac\u017ePa.Git\u00e2\u20ac\u009d jest bardziej minimalistyczny, cho\u00c4\u2021 nie brakuje w nim pulsuj\u00c4\u2026cego brzmienia organ\u00c3\u00b3w, to jednak trzeba bardziej skupi\u00c4\u2021 si\u00c4\u2122 na niuansach, drobinkach i mikrod\u00c5\u00bawi\u00c4\u2122kach zmierzaj\u00c4\u2026cych ku noise\u00e2\u20ac\u2122owi, jaki Norweg generuje przy pomocy gitary. Alexander Rishaug, na tej niespe\u00c5\u201ana trzydziestominutowej p\u00c5\u201aycie pokaza\u00c5\u201a, \u00c5\u00bce jest wybornym improwizatorem i kompozytorem oraz wie jak wykorzysta\u00c4\u2021 wcale nie \u00c5\u201aatw\u00c4\u2026 przestrze\u00c5\u201e ko\u00c5\u203acio\u00c5\u201aa.<\/p>\n<p>W tym samym czasie uka\u00c5\u00bce si\u00c4\u2122 album z remiksami \u00e2\u20ac\u017eMa.Org Pa.Git Re.Mx\u00e2\u20ac\u009d, gdzie tacy arty\u00c5\u203aci jak Machinefabriek, Svalastog, K\u00c3\u00b6hn, Sakana Hosomi, Tetsuro Yasunaga, Seaworthy, Loscil czy Mark Fell, przedstawili w\u00c5\u201aasne interpretacje nagra\u00c5\u201e Rishauga. Gdy spojrzycie na czas trwania kompozycji, jak\u00c4\u2026 zaproponowa\u00c5\u201a Mark Fell, to mo\u00c5\u00bcecie z niedowierzaniem przeciera\u00c4\u2021 oczy, bo trwa a\u00c5\u00bc p\u00c3\u00b3\u00c5\u201atora godziny! Nie jestem zwolennikiem tak rozci\u00c4\u2026gni\u00c4\u2122tych form i &#8211; jak si\u00c4\u2122 okaza\u00c5\u201ao &#8211; to nie by\u00c5\u201ao dobre posuni\u00c4\u2122cie z jego strony. Najlepsze fragmenty tego wydawnictwa, kt\u00c3\u00b3re b\u00c4\u2122dzie dost\u00c4\u2122pne jedynie w wersji cyfrowej w przeciwie\u00c5\u201estwie do winylowego kr\u00c4\u2026\u00c5\u00bcka \u00e2\u20ac\u017eMa.Org Pa.Git\u00e2\u20ac\u009d, nale\u00c5\u00bc\u00c4\u2026 do Machinefabrieka, \u00c5\u203awietnego Svalastoga, K\u00c3\u00b6hna momentami przypominaj\u00c4\u2026cego Terry\u00e2\u20ac\u2122ego Rileya, Tetsuro Yasunagi z okolic minimal techno, noise\u00e2\u20ac\u2122owego Seaworthy\u00e2\u20ac\u2122ego i ambientowego Loscila. Nie wiem jak wy, ale ja bardzo rzadko trafiam na remiksy, do kt\u00c3\u00b3rych chc\u00c4\u2122 p\u00c3\u00b3\u00c5\u00baniej wraca\u00c4\u2021. Doskonale pami\u00c4\u2122tam longplay \u00e2\u20ac\u017eReich Remixed\u00e2\u20ac\u009d, no mo\u00c5\u00bce \u00e2\u20ac\u017eMa.Org Pa.Git Re.Mx\u00e2\u20ac\u009d nie jest produkcj\u00c4\u2026 tego formatu, bo i nie ta posta\u00c4\u2021, ale obstawiam, \u00c5\u00bce kompozycja Svalastoga pozostanie z wami na d\u00c5\u201au\u00c5\u00bcej.<\/p>\n<p><em>\u00c5\u0081ukasz Kom\u00c5\u201aa<\/em><\/p>\n<p>via <a href=\"http:\/\/iratemusic.pl\/publicystyka\/artykul\/nie-ma-jak-pohalasowac-w-kosciele\">Irate Music<\/a><\/p>\n<p><iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2855253493\/size=large\/bgcol=ffffff\/linkcol=e99708\/tracklist=false\/artwork=small\/transparent=true\/\" seamless><a href=\"http:\/\/cronica.bandcamp.com\/album\/ma-org-pa-git\">Ma.Org Pa.Git by Alexander Rishaug<\/a><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Czo\u00c5\u201aowa posta\u00c4\u2021 norweskiej sceny eksperymentalnej, Alexander Rishaug, wesz\u00c5\u201aa w taki dialog z jednym z ko\u00c5\u203acio\u00c5\u201a\u00c3\u00b3w w Rotterdamie w 2012 roku, a efekty tego znalaz\u00c5\u201ay si\u00c4\u2122 na albumie \u00e2\u20ac\u017eMa.Org Pa.Git\u00e2\u20ac\u009d (Cr\u00c3\u00b3nica). Domy\u00c5\u203alam si\u00c4\u2122, \u00c5\u00bce jego uwag\u00c4\u2122 przyci\u00c4\u2026gn\u00c4\u2122\u00c5\u201ao samo brzmienie organ\u00c3\u00b3w, gdy\u00c5\u00bc w pierwszej kompozycji \u00e2\u20ac\u017eMa.Org\u00e2\u20ac\u009d s\u00c5\u201ayszymy, szczeg\u00c3\u00b3lnie w ko\u00c5\u201ec\u00c3\u00b3wce tego d\u00c5\u201augiego nagrania, jakie barwy artysta wydobywa &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/blog.cronicaelectronica.org\/?p=7498\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;\u00e2\u20ac\u0153Ma.Org Pa.Git\u00e2\u20ac\u009d &#038; \u00e2\u20ac\u0153Ma.Org Pa.Git Re.Mx\u00e2\u20ac\u009d reviewed by Irate Music&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[361,362,296,299,300,303,306,301,307,304,308,298,302,305],"class_list":["post-7498","post","type-post","status-publish","format-standard","hentry","category-reviews","tag-361","tag-362","tag-alexander-rishaug","tag-asuna","tag-curver","tag-kohn","tag-loscil","tag-machinefabriek","tag-mark-fell","tag-phonophani","tag-sakana-hosomi","tag-seaworthy","tag-svalastog","tag-tetsuro-yasunaga","entry"],"_links":{"self":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/7498","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7498"}],"version-history":[{"count":2,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/7498\/revisions"}],"predecessor-version":[{"id":7500,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/7498\/revisions\/7500"}],"wp:attachment":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7498"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7498"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7498"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}