{"id":7841,"date":"2015-10-05T09:46:02","date_gmt":"2015-10-05T08:46:02","guid":{"rendered":"http:\/\/blog.cronicaelectronica.org\/?p=7841"},"modified":"2017-01-02T12:54:17","modified_gmt":"2017-01-02T11:54:17","slug":"positions-reviewed-by-rifraf","status":"publish","type":"post","link":"http:\/\/blog.cronicaelectronica.org\/?p=7841","title":{"rendered":"\u00e2\u20ac\u0153Positions\u00e2\u20ac\u009d reviewed by RifRaf"},"content":{"rendered":"<p><a href=\"http:\/\/www.cronicaelectronica.org\/?p=097\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2015\/08\/cronica097-2015_520.jpg\" alt=\"cronica097-2015_520\" width=\"520\" height=\"473\" class=\"alignnone size-full wp-image-7762\" srcset=\"http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2015\/08\/cronica097-2015_520.jpg 520w, http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2015\/08\/cronica097-2015_520-260x237.jpg 260w\" sizes=\"auto, (max-width: 520px) 100vw, 520px\" \/><\/a><br \/>\nTrois trombones, trois contrebasses ou absence de musiciens, l\u00e2\u20ac\u2122art du N\u00c3\u00a9erlandais MARTIJN TELLINGA explore les possibles et l\u00e2\u20ac\u2122au-del\u00c3\u00a0 sonore sur \u00e2\u20ac\u02dcPositions\u00e2\u20ac\u2122 (Cr\u00c3\u00b3nica). Ardue et enthousiaste, l\u00e2\u20ac\u2122exp\u00c3\u00a9rience acoustique inscrit pourtant sa premi\u00c3\u00a8re \u00c3\u00a9coute dans une \u00c3\u00a2pret\u00c3\u00a9 repoussante, elle s\u00e2\u20ac\u2122estompe d\u00c3\u00a8s la seconde entame pour ne plus l\u00c3\u00a2cher. Tout d\u00c3\u00a9marre avec l\u00e2\u20ac\u2122extraordinaire pi\u00c3\u00a8ce \u00e2\u20ac\u02dcThree Modulators, for trombones\u00e2\u20ac\u2122, o\u00c3\u00b9 trois acteurs de l\u00e2\u20ac\u2122instrument &#8211; on tire un \u00c3\u00a9norme chapeau \u00c3\u00a0 Nathan Lane, Milton Rodriguez et Facundo Vacarezza &#8211; \u00c3\u00a9voluent dans un espace- temps physique et musical o\u00c3\u00b9 le lointain c\u00c3\u00b4toie le proche, telle une exp\u00c3\u00a9rience sensorielle troublante et enivrante. Plus loin, si \u00e2\u20ac\u02dcTruth, exercice for a listener\u00e2\u20ac\u2122 donne surtout le sentiment perplexe de se promener au milieu du public d\u00e2\u20ac\u2122un vernissage, les sensationnelles variations de dynamique de \u00e2\u20ac\u02dcBranching into Others, for a large instrumental field\u00e2\u20ac\u2122 nous ram\u00c3\u00a8nent au c\u00c5\u201cur de l\u00e2\u20ac\u2122exercice, vital et conqu\u00c3\u00a9rant. On s\u00e2\u20ac\u2122imagine quelque part sur une partition de Lene Grenager, voguant sur un oc\u00c3\u00a9an d\u00c3\u00a9cha\u00c3\u00aen\u00c3\u00a9 par Giacinto Scelsi. Vous redemandiez de l\u00e2\u20ac\u2122\u00c3\u00a9nergie en basses fr\u00c3\u00a9quences? Rendez-vous sur \u00e2\u20ac\u02dcThree Modulators, for basses\u00e2\u20ac\u2122 et ses variations de hauteur \u00c3\u00a0 couper le souffle, avant-dernier propos d\u00e2\u20ac\u2122un disque exigeant et novateur, \u00c3\u00a0 manipuler avec soin. <em>Fabrice Vanoverberg<\/em><\/p>\n<p><iframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3181708472\/size=small\/bgcol=ffffff\/linkcol=e99708\/transparent=true\/\" seamless><a href=\"http:\/\/cronica.bandcamp.com\/album\/positions\">Positions by Martijn Tellinga<\/a><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Trois trombones, trois contrebasses ou absence de musiciens, l\u00e2\u20ac\u2122art du N\u00c3\u00a9erlandais MARTIJN TELLINGA explore les possibles et l\u00e2\u20ac\u2122au-del\u00c3\u00a0 sonore sur \u00e2\u20ac\u02dcPositions\u00e2\u20ac\u2122 (Cr\u00c3\u00b3nica). Ardue et enthousiaste, l\u00e2\u20ac\u2122exp\u00c3\u00a9rience acoustique inscrit pourtant sa premi\u00c3\u00a8re \u00c3\u00a9coute dans une \u00c3\u00a2pret\u00c3\u00a9 repoussante, elle s\u00e2\u20ac\u2122estompe d\u00c3\u00a8s la seconde entame pour ne plus l\u00c3\u00a2cher. Tout d\u00c3\u00a9marre avec l\u00e2\u20ac\u2122extraordinaire pi\u00c3\u00a8ce \u00e2\u20ac\u02dcThree Modulators, for trombones\u00e2\u20ac\u2122, &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/blog.cronicaelectronica.org\/?p=7841\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;\u00e2\u20ac\u0153Positions\u00e2\u20ac\u009d reviewed by RifRaf&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[357,29],"class_list":["post-7841","post","type-post","status-publish","format-standard","hentry","category-reviews","tag-357","tag-martijn-tellinga","entry"],"_links":{"self":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/7841","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7841"}],"version-history":[{"count":2,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/7841\/revisions"}],"predecessor-version":[{"id":7843,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/7841\/revisions\/7843"}],"wp:attachment":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7841"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7841"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7841"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}