{"id":8596,"date":"2016-10-11T10:24:36","date_gmt":"2016-10-11T09:24:36","guid":{"rendered":"http:\/\/blog.cronicaelectronica.org\/?p=8596"},"modified":"2016-10-11T09:24:56","modified_gmt":"2016-10-11T08:24:56","slug":"new-release-tamtams-urban-dialog","status":"publish","type":"post","link":"http:\/\/blog.cronicaelectronica.org\/?p=8596","title":{"rendered":"New release: TAMTAM’s \u00e2\u20ac\u0153Urban Dialog\u00e2\u20ac\u009d"},"content":{"rendered":"

\"cronica119-2016_520\"<\/a>
\nCr\u00c3\u00b3nica is elated to present the new release from Sam Auinger and Hannes Strobl’s project, TAMTAM, \u00e2\u20ac\u0153Urban Dialog\u00e2\u20ac\u009d, now available as a free download<\/a>.<\/p>\n

Sam Auinger (sonic thinker, composer, and sound artist) and Hannes Strobl (bass player, composer, and sound artist) refer to their work as a practice where the sound environment becomes the instrument, and the instrument becomes the sound environment. Their instrument is, for all purposes, not only a sounding object that we are well familiar with but it is also the space where the sound lives: the acoustic and psycho-acoustic fields that enable us to extend our accepted senses to hear the habitual and the everyday as something extraordinary.<\/p>\n

TAMTAM\u00e2\u20ac\u2122s work series \u00e2\u20ac\u0153urban dialog\u00e2\u20ac\u009d are compositions which have in common being based on field recordings from different urban situations. For each piece a set of sounds is choosen and defined, containing between 5 to 10 long flows of field recordings as well as a set of bass sounds and playing techniques. After this process all chosen materials are understood as pure musical material with no meaning whatsoever. During an experimental process in the studio, musical structures are then worked out, with the piece considered finished at the moment it can be performed in one take.<\/p>\n