{"id":9147,"date":"2007-04-23T02:15:18","date_gmt":"2007-04-23T01:15:18","guid":{"rendered":"http:\/\/blog.cronicaelectronica.org\/?p=9147"},"modified":"2007-04-23T02:15:18","modified_gmt":"2007-04-23T01:15:18","slug":"flow-reviewed-by-octopus","status":"publish","type":"post","link":"http:\/\/blog.cronicaelectronica.org\/?p=9147","title":{"rendered":"\u00e2\u20ac\u0153Flow\u00e2\u20ac\u009d reviewed by Octopus"},"content":{"rendered":"<p>Depuis 2003, le label Cr\u00c3\u00b3nica poursuit son entreprise singuli\u00c3\u00a8re de d\u00c3\u00a9frichage multim\u00c3\u00a9dia, pistant les traces \u00c3\u00a9parses de sensibilit\u00c3\u00a9 humaine au fil de productions se nourrissant des \u00c3\u00a9changes entrelac\u00c3\u00a9s d\u00e2\u20ac\u2122abstractions m\u00c3\u00a9lodiques digitales et d\u00e2\u20ac\u2122habillages graphique et vid\u00c3\u00a9o stylis\u00c3\u00a9s. Une science du dialogue entre le biologique et le num\u00c3\u00a9rique qui s\u00e2\u20ac\u2122approfondit davantage encore sur ce Flow, men\u00c3\u00a9 avec maestria par le v\u00c3\u00a9t\u00c3\u00a9ran Vitor Joaquim, dont les aficionados se rem\u00c3\u00a9moreront le Tales Of Chaos paru en 1997 sur l\u00e2\u20ac\u2122autre label portugais de r\u00c3\u00a9f\u00c3\u00a9rence, Ananana. Flow conserve la m\u00c3\u00aame approche th\u00c3\u00a9matique, d\u00c3\u00a9clinant diff\u00c3\u00a9rentes variations autour de la notion de \u00e2\u20ac\u0153moments\u00e2\u20ac\u009d. Il en ressort un sens curieux du m\u00c3\u00a9lange, o\u00c3\u00b9 l\u00e2\u20ac\u2122auditeur se laisse happer par une mise en sc\u00c3\u00a8ne flottante, par une th\u00c3\u00a9\u00c3\u00a2tralit\u00c3\u00a9 \u00c3\u00a9vanescente. Sur un lit d\u00e2\u20ac\u2122effets musicaux \u00c3\u00a9lectroniques discrets et enveloppants, alternant nappes fondantes et bleeps coulissants, Vitor Joaquim noue les fils d\u00e2\u20ac\u2122une intrigue environnementaliste o\u00c3\u00b9 les premiers r\u00c3\u00b4les sont confi\u00c3\u00a9s avec parcimonie \u00c3\u00a0 la voix suave de Filipa Hora et aux guitares de Joao Hora et Emidio Bucchino. On avance donc pr\u00c3\u00a9cautionneusement dans l\u00e2\u20ac\u2122\u00c3\u00a9coute, au gr\u00c3\u00a9 de cet \u00c3\u00a9trange jeu de cache-cache entre la voix narrative et des sensations musicales clair-obscures qui entretiennent avec une douce harmonie une coh\u00c3\u00a9sion improbable. Sur \u00e2\u20ac\u0153Slow moments\u00e2\u20ac\u009d, le temps para\u00c3\u00aet suspendu derri\u00c3\u00a8re la voix qui semble se robotiser au contact des mati\u00c3\u00a8res musicales gr\u00c3\u00a9sillantes. Sur l\u00e2\u20ac\u2122intro de \u00e2\u20ac\u0153Moments of sync\u00e2\u20ac\u009d, le fluide sonore s\u00e2\u20ac\u2122amplifie brusquement, comme si une autoroute bruyante s\u00e2\u20ac\u2122ouvrait tout \u00c3\u00a0 coup devant nos oreilles. De quoi tendre le pouce pour saisir au vol cette nouvelle exp\u00c3\u00a9rience aventureuse et sensitive sign\u00c3\u00a9e Cr\u00c3\u00b3nica.<\/p>\n<p>Laurent Catala<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Depuis 2003, le label Cr\u00c3\u00b3nica poursuit son entreprise singuli\u00c3\u00a8re de d\u00c3\u00a9frichage multim\u00c3\u00a9dia, pistant les traces \u00c3\u00a9parses de sensibilit\u00c3\u00a9 humaine au fil de productions se nourrissant des \u00c3\u00a9changes entrelac\u00c3\u00a9s d\u00e2\u20ac\u2122abstractions m\u00c3\u00a9lodiques digitales et d\u00e2\u20ac\u2122habillages graphique et vid\u00c3\u00a9o stylis\u00c3\u00a9s. Une science du dialogue entre le biologique et le num\u00c3\u00a9rique qui s\u00e2\u20ac\u2122approfondit davantage encore sur ce Flow, men\u00c3\u00a9 &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/blog.cronicaelectronica.org\/?p=9147\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;\u00e2\u20ac\u0153Flow\u00e2\u20ac\u009d reviewed by Octopus&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[414,15],"class_list":["post-9147","post","type-post","status-publish","format-standard","hentry","category-reviews","tag-414","tag-vitor-joaquim","entry"],"_links":{"self":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/9147","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9147"}],"version-history":[{"count":0,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/9147\/revisions"}],"wp:attachment":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9147"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9147"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9147"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}