{"id":9452,"date":"2004-11-23T05:30:51","date_gmt":"2004-11-23T04:30:51","guid":{"rendered":"http:\/\/blog.cronicaelectronica.org\/?p=9452"},"modified":"2004-11-23T05:30:51","modified_gmt":"2004-11-23T04:30:51","slug":"further-consequences-of-reinterpretation-reviewed-by-funprox","status":"publish","type":"post","link":"http:\/\/blog.cronicaelectronica.org\/?p=9452","title":{"rendered":"\u00e2\u20ac\u0153Further Consequences of Reinterpretation\u00e2\u20ac\u009d reviewed by Funprox"},"content":{"rendered":"<p>Like its title suggests it is a further interpretation and reworking of a work called &#8220;0.000&#8221; that was once released by Japanese artist Nosei Sakata (perhaps better known as *0). The original work of Sakata contained no audible sounds, and was therefore ideally open for interpretation. The work was &#8220;remixed&#8221; and reworked by a score of other artists, and then Marc Behrens decided to rework all of this material again. Then Raposo joined in, and everything got reworked again.<\/p>\n<p>The result is a work of minimal, and sometimes noisy bits of sound that could be either organic or electronic. The sounds form a sort of minimal soundscape of seemingly random bits and pieces, that actually works quite well. It is a nice piece of extremely minimal experimental music that is really quite entertaining to listen to.<\/p>\n<p>TD<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Like its title suggests it is a further interpretation and reworking of a work called &#8220;0.000&#8221; that was once released by Japanese artist Nosei Sakata (perhaps better known as *0). The original work of Sakata contained no audible sounds, and was therefore ideally open for interpretation. The work was &#8220;remixed&#8221; and reworked by a score &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/blog.cronicaelectronica.org\/?p=9452\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;\u00e2\u20ac\u0153Further Consequences of Reinterpretation\u00e2\u20ac\u009d reviewed by Funprox&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[435,45,20],"class_list":["post-9452","post","type-post","status-publish","format-standard","hentry","category-reviews","tag-435","tag-marc-behrens","tag-paulo-raposo","entry"],"_links":{"self":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/9452","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9452"}],"version-history":[{"count":0,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/9452\/revisions"}],"wp:attachment":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9452"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9452"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9452"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}