{"id":9464,"date":"2004-05-16T16:30:40","date_gmt":"2004-05-16T15:30:40","guid":{"rendered":"http:\/\/blog.cronicaelectronica.org\/?p=9464"},"modified":"2004-05-16T16:30:40","modified_gmt":"2004-05-16T15:30:40","slug":"product-01-reviewed-by-cultura-la-vanguardia","status":"publish","type":"post","link":"http:\/\/blog.cronicaelectronica.org\/?p=9464","title":{"rendered":"\u00e2\u20ac\u0153Product 01\u00e2\u20ac\u009d reviewed by Cultura \/ La Vanguardia"},"content":{"rendered":"<p>Pese a su cercan\u00c3\u00ada, la escena experimental portuguesa goza de escasa difusi\u00c3\u00b3n en Espa\u00c3\u00b1a. Una aut\u00c3\u00a9ntica l\u00c3\u00a1stima, pues se trata de una de las m\u00c3\u00a1s activas y atractivas del sur de Europa. Queda esto claro en las \u00c3\u00baltimas referencias del sello luso Cr\u00c3\u00b3nica: tanto el colectivo audiovisual @c como Dur\u00c3\u00a1n V\u00c3\u00a1zquez &#8211; junto al australiano Sumugan Sivanesan &#8211; o Paulo Raposo &#8211; un un ejercicio de meta-remezcla que parte de una obra original de Nosei Sakata e implica tambi\u00c3\u00a9n al alem\u00c3\u00a1n Marc Behrens &#8211; cada uno desde su muy definida gestualidad sonora, firman obras cuyo sentido de la vanguardia transciende lo local y sintoniza con lo m\u00c3\u00a1s avanzado del panorama internacional<\/p>\n<p>Oriol Rossell<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pese a su cercan\u00c3\u00ada, la escena experimental portuguesa goza de escasa difusi\u00c3\u00b3n en Espa\u00c3\u00b1a. Una aut\u00c3\u00a9ntica l\u00c3\u00a1stima, pues se trata de una de las m\u00c3\u00a1s activas y atractivas del sur de Europa. Queda esto claro en las \u00c3\u00baltimas referencias del sello luso Cr\u00c3\u00b3nica: tanto el colectivo audiovisual @c como Dur\u00c3\u00a1n V\u00c3\u00a1zquez &#8211; junto al australiano &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/blog.cronicaelectronica.org\/?p=9464\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;\u00e2\u20ac\u0153Product 01\u00e2\u20ac\u009d reviewed by Cultura \/ La Vanguardia&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[437,23,436],"class_list":["post-9464","post","type-post","status-publish","format-standard","hentry","category-reviews","tag-437","tag-duran-vazquez","tag-sumugan-sivanesan","entry"],"_links":{"self":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/9464","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9464"}],"version-history":[{"count":0,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/9464\/revisions"}],"wp:attachment":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9464"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9464"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9464"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}