{"id":9542,"date":"2017-01-25T14:44:38","date_gmt":"2017-01-25T13:44:38","guid":{"rendered":"http:\/\/blog.cronicaelectronica.org\/?p=9542"},"modified":"2017-01-25T14:44:38","modified_gmt":"2017-01-25T13:44:38","slug":"nowhere-exercises-in-modular-synthesis-and-field-recording-reviewed-by-revue-corrigee","status":"publish","type":"post","link":"http:\/\/blog.cronicaelectronica.org\/?p=9542","title":{"rendered":"\u00e2\u20ac\u0153Nowhere: Exercises in Modular Synthesis and Field Recording\u00e2\u20ac\u009d reviewed by Revue &#038; Corrig\u00c3\u00a9e"},"content":{"rendered":"<p><a href=\"http:\/\/www.cronicaelectronica.org\/?p=123\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-8687\" src=\"http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2016\/12\/cronica123-2017_520.jpg\" alt=\"\" width=\"520\" height=\"468\" srcset=\"http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2016\/12\/cronica123-2017_520.jpg 520w, http:\/\/blog.cronicaelectronica.org\/wp-content\/uploads\/2016\/12\/cronica123-2017_520-260x234.jpg 260w\" sizes=\"auto, (max-width: 520px) 100vw, 520px\" \/><\/a><br \/>\nIl est d\u00e2\u20ac\u2122ailleurs un instrument on ne peut plus \u00c3\u00a9lectronique qui dit aujourd\u00e2\u20ac\u2122hui ce paradoxe apparent, celui de jouer \u00e2\u20ac\u201d non, d\u00e2\u20ac\u2122utiliser \u00e2\u20ac\u201d un instrument sans viser uns musique particuli\u00c3\u00a8re, juste le simple plaisir de produire du son, comme \u00c3\u00a0 son insu: le synth\u00c3\u00a9tiseur modulaire, dont c\u00e2\u20ac\u2122est actuellement l\u00c2\u00b4\u00c3\u00a2ge d\u00e2\u20ac\u2122or (alors qu\u00e2\u20ac\u2122on le penserait quelque part dans les ann\u00c3\u00a9es 1975), et qui est devenu, plus que la guitare peut-\u00c3\u00aatre, cet instrument que l\u00e2\u20ac\u2122on branche sans vis\u00c3\u00a9e musicale, juste pour voir ce que \u00c3\u00a7a va faire. On laisse tourner les sons, on modifie tel param\u00c3\u00a8tre, on touche ci et \u00c3\u00a7a, mais souvent les machines tournent sur elles-m\u00c3\u00aames en de pr\u00c3\u00a9tendues compositions algorithmiques qui ne sont que plaisir de voir les choses se faire comme par elles-m\u00c3\u00aames, et en fait rares sont ceux qui plient cet instrument \u00c3\u00a0 la production d\u00e2\u20ac\u2122une musique pr\u00c3\u00a9cise, d\u00c3\u00a9tach\u00c3\u00a9e de la voie dans laquelle l\u00e2\u20ac\u2122instrument nous entraine. Jos Smolders est de ceux-l\u00c3\u00a0, et son CD, Nowhere, avec \u00c3\u00a0 l\u00e2\u20ac\u2122int\u00c3\u00a9rieur une photo d\u00e2\u20ac\u2122une partie de son instrument (oui, il a et les modules Make Noise et 4ms et Doepfer, Vermona, et d\u00e2\u20ac\u2122autres aussi): sa musique est cisel\u00c3\u00a9e et pr\u00c3\u00a9cise, on sent qu\u00e2\u20ac\u2122elle est dirig\u00c3\u00a9e de bout en bout, synth\u00c3\u00a9tiseur modulaire ou pas. <em>KTT<\/em><\/p>\n<p><iframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=454231624\/size=small\/bgcol=ffffff\/linkcol=333333\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http:\/\/cronica.bandcamp.com\/album\/nowhere-exercises-in-modular-synthesis-and-field-recording\">Nowhere: Exercises in Modular Synthesis and Field Recording by Jos Smolders<\/a><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Il est d\u00e2\u20ac\u2122ailleurs un instrument on ne peut plus \u00c3\u00a9lectronique qui dit aujourd\u00e2\u20ac\u2122hui ce paradoxe apparent, celui de jouer \u00e2\u20ac\u201d non, d\u00e2\u20ac\u2122utiliser \u00e2\u20ac\u201d un instrument sans viser uns musique particuli\u00c3\u00a8re, juste le simple plaisir de produire du son, comme \u00c3\u00a0 son insu: le synth\u00c3\u00a9tiseur modulaire, dont c\u00e2\u20ac\u2122est actuellement l\u00c2\u00b4\u00c3\u00a2ge d\u00e2\u20ac\u2122or (alors qu\u00e2\u20ac\u2122on le penserait quelque &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/blog.cronicaelectronica.org\/?p=9542\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;\u00e2\u20ac\u0153Nowhere: Exercises in Modular Synthesis and Field Recording\u00e2\u20ac\u009d reviewed by Revue &#038; Corrig\u00c3\u00a9e&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[340,314],"class_list":["post-9542","post","type-post","status-publish","format-standard","hentry","category-reviews","tag-340","tag-jos-smolders","entry"],"_links":{"self":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/9542","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9542"}],"version-history":[{"count":1,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/9542\/revisions"}],"predecessor-version":[{"id":9543,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=\/wp\/v2\/posts\/9542\/revisions\/9543"}],"wp:attachment":[{"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9542"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9542"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.cronicaelectronica.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9542"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}