Cem Güney’s highlights of 2009

albums_260

albums

  • Keith Rowe, “ErtsLive 007”
  • Olivier Capparos and Lionel Marchetti, “Livre des morts”
  • Tim Hecker, “An Imaginary Country”
  • Marc Behrens,” Entity Mülheim”, “Architectural Commentaries”, “Compilation Works 1996-2005”
  • Toru Takemitsu, Soundtracks for “Woman in the Dunes”, “Kwaidan”
  • Helmut Lachenmann compositions, ” Nun”, “Notturno”, “Schwankungen am Rand”
  • Radu Malfatti/Taku Unami, “Kushikushism”
  • Taku Unami, “Malignitat”
  • Taku Sugimoto/Masafumi Ezaki/Taku Unami, “Trio at the Offsite”
  • Edward Artemiev, “Solaris Soundtrack”
  • @C,” Cronicast 40″
  • The Beautiful Schizophonic,” Cronicast 48, The Lone Drone”
  • Rui Costa & Friends, “Sightseeing for the Blind”
  • William Basinski, “Melancholia”
  • Karlheinz Stockhausen, “Mikrophonie I & II”, “Spiral”
  • Bernard Parmegiani, ” De Natura Sonorum”

misc_260

miscellaneous,

Toshiya Tsunoda, classical music of Japan, my personal anthology of electronic music, Istanbul field recording trip, Erstwords, Bodrum-the summer vacation, Radu Malfatti, Harry Partch, implications of Christian Wolff’s indeterminate music, radio art, earl brown, john cage’s “silence”, the sho, biwa, Jason Kahn, Reel23, Erkki Kurenniemi, Skiti Label, Slub Music, Ephraim Wegner, Bruce Sterling’s Schismatrix Plus, JG Ballard’s The Atrocity Exhibition, Stefan Zintel, Andrei Tarkovksy’s Solaris, Mirror, Masaki Kobayashi’s Kwaidan, Harakiri, Hiroshi Teshigahara’s Woman in the Dunes, Michelangelo Antonioni’s Tetrology, Zeitgeist, Ingvar Loco Nordin, Radiohead, Bae YOng-Kyun’s Why did Bodhi-Dharma Leave for the East, The Atrocity Exhibition by Jonathan Weiss, William Gibson’s Pattern Recognition, Wall-E, cyber-punk, Paris Transatlantic Magazine, Christina Kubisch, Avant-Garde Project, Gregory Büttner, Vox Novus…

2 x ONE — Crónica holidays promotion

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