David Lee Myers’s “Terrenus” reviewed by Vital Weekly

Sometimes I think Myers becomes a man machine; a man with machines and a man acting like a machine, one release after another. Sometimes the differences aren’t significant, and sometimes they are. ‘Terrenus’ is described by the label as ‘earth music’, in contrast to a lot of electronic music being ‘space music’. I couldn’t say if the nine pieces on this new album are ‘earthy’; what would define this as such, I wonder. David Lee Myers continues to explore the nature of feedback music; music in which the output becomes the input and, via all sorts of controls, that sound is processed over and over, and the result becomes the composition. Myers has a long career in doing this kind of music and has mastered the technology very well. This always results in thoughtful, intense music. Minimalism is never far away, and noise is. That may sound like a surprise, because for many, feedback equals noise, but not for Myers. Granted, to the untrained ear, this is alien music, but to my trained
Myers-ears, these are the most delicate pieces of music. Slowly evolving, minimally changing, small shards of rhythm, traces of loops and with a very ambient feeling, yet not always easy listening music, there’s too much tension beneath the waves for that. Solid stuff, and as such, perhaps not much of a surprise, but not every work can be a classic masterpiece. (FdW)

via Vital Weekly