Natura i miasto… Jeśli zestawimy ze sobą te środowiska w kontekście tego, co słyszymy, naturalnie pojawić się może przeciwstawne porównanie – cisza i hałas. Gdyby jednak spróbować usłyszeć w miejskim zgiełku harmonię jego odgłosów? Dobrym punktem wyjścia będzie tu nowy album Emitera. Już sam jego tytuł zachęca do wgłębienia się w dźwięki otoczenia i spojrzenie …
Continue reading “Emiter’s “Electromagnetism of the City” reviewed by Anxious”
We’re still reeling from Mut Att Narc Imm which we noted in 2019, continuing in our way to typecast this player as severe and extreme in his very distinct approach to minimalism, but it’s more likely we’re still enduring self-induced nightmares and sleepless nights from that image of a red claw. In fact this fellow has a wide …
Continue reading “Marc Behrens’s “Clould” reviewed by The Sound Projector”
Haarvöl è il nome di un progetto musicale portoghese fondato da Fernando José Pereira, João Faria e Rui Manuel Vieira. Pensata e sviluppata come esplorazione delle proprietà del suono, e finalizzata alla definizione di ambienti sonori cinematografici e immaginativi, la proposta del trio trova un suo nuovo manifesto in “Horizons of Suspended Zones”, album pubblicato …
Continue reading “Haarvöl’s “Horizons of Suspended Zones” reviewed by Music Map”
David Lee Myers has been called many things – pioneer of feedback music, sonic cartographer, stubborn alchemist of electronics – but with “Terrenus” he plants his machines firmly in the soil. If so much electronic sound gazes longingly at the stars, Myers insists on digging his fingernails into mud and moss, coaxing voices from tangled …
Continue reading “David Lee Myers’s “Terrenus” reviewed by Chain DLK”
Ilia Belorukov è un musicista originario di San Pietroburgo e attualmente di stanza a Novi Sad, in Serbia. Da tempo attivo nel campo della musica sperimentale, del noise, dell’elettroacustica e dell’improvvisazione, Belokurov è tornato recentemente per Crónica Records con “Nrd Drm Two 2022-2024”, una raccolta di pezzi realizzati nel triennio in questione con un Nord …
Continue reading “Ilia Belorukov’s “NRD DRM TWO 2022-2024” reviewed by Music Map”
Loop And Again is a CD album themed around magnetic fields. It blends recordings of said fields, drone texturing, sudden pitch rising detail, and general field recordings. The three tracks featured are eventful, moody, at times atmospherically jarring- with a sound that dips in electro ambience, pressing drone texturing, and even droned out avant jazz. …
Continue reading “Matilde Meireles’s “Loop. And Again.” reviewed by Musique Machine”
Successive Actions takes in sixteen tracks built around recordings of motorised devices, sourced from obsolete consumer technology. Track lengths vary between one and eleven minutes, with the recordings moving between textural studies, erratic blending of several different elements, and all-out/ intense sound crafting.The CD album comes presented in a dark blue card gatefold featuring what looks …
Continue reading “Simon Whetham’s “Successive Actions” reviewed by Musique Machine”
Beim Anhören von David Lee Myers‘ „Terrenus” musste ich ein wenig an Brian Enos „On Land” denken. Wenn auch nur entfernt. Könnte das nicht eine Übersetzung in das Jahr 2025 sein? Für mich ergeben sich da durchaus Parallelen. Was denkt ihr dazu? Aber auch ohne diesen Verweis auf Eno ist die elektronische Musik von David …
Continue reading “David Lee Myers’s “Terrenus” reviewed by radiohoerer”
Na swojej najnowszej płycie Terrenus David Lee Myers kontynuuje eksplorację świata czysto elektronicznego brzmienia, jednak z wyraźnym zwrotem ku temu, co ziemskie, namacalne i gęste. W odróżnieniu od wielu współczesnych produkcji elektronicznych, które dryfują ku temu, co kosmiczne i odrealnione, Myers tworzy muzykę głęboko zakorzenioną – zamiast przestrzeni kosmicznych, przywołuje obrazy zamglonych łąk, nieostrych pejzaży i rzek …
Continue reading “David Lee Myers’s “Terrenus” reviewed by Anxious”
