Matilde Meireles’s “Four Tales” reviewed by A Cabine

A artista sonora Matilde Meireles regressou à Crónica no passado dia 10 de março para lançar o seu novo álbum, “Four Tales”. O disco é fruto de uma performance ao vivo e está, como não poderia deixar de ser, repleto de field recordings trabalhados ao longo de mais de 1h. O álbum articula som e …

Machinefabriek’s “Spelonk” reviewed by Neue Musikzeitung

Eine kleine EP mit drei Tracks elektronischer Computer-Musik (6, 17 und 18 Minuten). Wenn man nicht wüsste, dass diese Kompositionen erst kürzlich realisiert worden sind, dürfte man Schwierigkeiten haben, dies zu erraten. Natürlich ist da die Klarheit der modernen Aufnahmetechnik zu merken, die ganz wunderbar die Klangideen im akustischen Raum staffelt. Also da die Dauertöne, dort …

Matilde Meireles’s “Four Tales” reviewed by Research Music

The trickling, bubbling, and gurgling movements of water bodies have been a recurring motif for as long as ambient music and field recordings have existed. Yet, UK-based Portuguese artist Matilde Meireles has a gift for reshaping the known into the unexpected. Based on DRIFT, a site-specific floating pavilion created as part of the Belfast 2024 …

Matilde Meireles’s “Four Tales” reviewed by Bandcamp Daily

DRIFT was a research and arts project commissioned by the city of Belfast to encourage interaction and understanding of the River Lagan. A series of exhibitions and events took place in the summer of 2024 on a specially-designed pontoon on the river. As part of the project, field recordist Matilde Meireles explored the sound of the river, its …

Matilde Meireles’s “Four Tales” reviewed by Music Map

Matilde Meireles è una sound artist portoghese, da tempo attiva nel campo della composizione elettroacustica e autrice di alcuni lavori di installazioni e ricerche sul campo, specialmente in contesti urbani e naturali sull’asse Portogallo – Regno Unito, legandosi a Belfast, capitale dell’Irlanda del Nord. L’artista ha da poco pubblicato per Crónica Records “Four Tales”, un …

Machinefabriek’s “Spelonk” reviewed by Chain DLK

There is a particular kind of honesty in artists who admit they occasionally need to escape their own commissions. Not dramatically, not with some tortured manifesto, just quietly stepping aside to make something that answers to no one. With “Spelonk”, Rutger Zuydervelt, better known as Machinefabriek, does exactly that. No brief, no external narrative, no …

Matilde Meireles’s “Four Tales” reviewed by Radiohörer

Ich hätte es fast wieder ausgemacht und dachte mir: Schon wieder Fieldrecordings! Dann trotzdem weiter zugehört und gemerkt, dass da noch viel mehr dahintersteckt und mir alle vier Teile angehört. Anhören! Das Album ist eine Erweiterung von Meireles’ Kooperationsprojekt DRIFT, dessen Mittelpunkt ein modularer, ortsspezifischer schwimmender Pavillon und öffentlicher Raum in Belfast bildet, der in …