Graeme Truslove’s sonic mosaics use glitchy, electronic sounds to create gently disquieting ethereal soundscapes full of synthetic bubbles, clicks and pitter-patters. Exploring automation techniques, Truslove generates music that seems to be disassembling and reassembling itself. The opening “Suite IIâ€, in three parts, is generally quite frantic. Tones and layers shift impatiently, never settling into one …
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