If the world were a little quieter, perhaps we’d hear it breathing. Kunrad, the Dutch artist who listens more intently than most, has spent years amplifying the hushed murmurs of everyday materials – water, paper, brass, and stone – transforming them into poetic gestures of sound. “Kleine Geluiden” (“Small Sounds”) is not just an album …
Continue reading “Kunrad’s “Kleine Geluiden” reviewed by Chain DLK”
It’s new release day, and our last in 2024, introducing Philippe Petit’s “Attractive Apesanteur“, a prelude for a forthcoming release in 2025! Season’s greetings, everyone; see you in January!
In their collaboration as @c, Pedro Tudela and Miguel Carvalhais developed several installations, often site-specific and ephemeral works. This series of releases in Crónica is dedicated to revisiting these installation works, occasionally with situ recordings, but also further exploring the computational systems developed for the works, archival materials, and other assets, presenting new compositions that unfold …
Continue reading “New release: @c’s “Installations: CX LUX (2017)””
Subscribers to Neural magazine will find an exceptional object attached to its centrefold: a 7” flexi disc. This is the result of a joint effort from Crónica and Neural to celebrate thirty years of Neural and twenty of Crónica. Thirty artists contributed 9-second pieces to a one-of-a-kind compilation that will be available exclusively in this …
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“A quartet of artists converge on the Lisboa Soa festival to delve deeper into aspects of sound. Lisboa Soa, Sounds Within Sounds ranges from field recording to drone to improvisation, often within a single track (Cronica, September 26).” via A Closer Listen
Noise has a mutant nature and harbors poetic correspondences; it is polysemy that demands its translation from the listener. Concepts only make sense through their opposites; thus, noise means everything and means nothing. Miguel A. García (M.A.G., aka xedh), a practitioner of the alchemy of noise for twenty-five years, offers us on this occasion a …
Continue reading “New release: Miguel A. García & Coeval’s “Huncill””
Budhaditya Chattopadhyay’s Withering Field is an essay on manmade violence over earth’s ecologies and natural environments, on the threatening of the Global South created by Western modernism, and the impending catastrophes looming. Withering Field is a sonic narrative developed around these events of displacement and dispossession, developed through fieldwork and field recordings made in what are currently denominated of …
Continue reading “New release: Budhaditya Chattopadhyay’s “Withering Field Live“”
Luca Forcucci’s piece Terra, from the album with the same name, has been included in the 160th edition of the Mind the Gap compilation published by Gonzo (Circus).
The inspiration and the recordings for the piece Stromschauen (view/look current/power) were formed during walks in Berlin/Pankow in the last days of December 2020. In a situation of urban sound environment slowed down by the Covid rules and the holidays in general, various power boxes and their whirring and humming became more noticeable. The AC …
Continue reading “New release: TAMTAM’s “Stromschauen Live””
The field recordings used here by Matilde Meireles are literally homegrown. It deals with the life of a potato, growing near Pewsey, in the Southwest of England. I had not heard of Matilde Meireles before. In her garden, she grows her vegetables, plants, and potatoes. She made her field recordings in her garden, in the …
Continue reading “Matilde Meireles’s “Life of a Potato” reviewed by Vital Weekly”
