Marc Behrens is een multimedia artist die voral bekend is om zijn werk met veldopnamen en zijn elektronische klanklandschappen. Dit zal sommigen klinken als een beschrijving die evengoed bij Francisco Lopez zou kunnen passen -met wie hij trouwens al heeft samengewerkt- maar bij Behrens zijn de herwerkingen van het bronmateriaal minder radicaal en schuilt er …
Continue reading ““Queendom Maybe Rise†reviewed by Dark Entries”
On May 29th, Tore Honoré Bøe will be in Porto for an artist talk at the Faculty of Fine Arts (17h) and a performance at Miss Opo (22h) where he will present his “Acoustic Laptops†project. Both events are co-organized by Crónica, in association with the Faculty of Fine Arts of the University of Porto, …
Outre une apparition sur l’excellentissime ‘HD’ de son compatriote AtomTM (je vous renvois à nouveau à la EarTeam), MARC BEHRENS est surtout connu pour son oeuvre électroacoustique, qu’il développe depuis plus de vingt ans avec une constance qui n’a d’égale que son infini sens de la recherche. Son nouveau bébé ‘Queendom Maybe Rise’ (Crónica) ne …
Continue reading ““Queendom Maybe Rise†reviewed by Rif Raf”
Episode 87 of Futurónica, a broadcast in Rádio Manobras (91.5 MHz in Porto, 18h30) and Rádio Zero (21h GMT, repeating on Tuesday at 01h) airs tomorrow, May 3rd. The playlist of Futurónica 87 is: Eliane Radigue pour Charles Curtis, Naldjorlak (2008, Naldjorlak, Shiiin) You can follow Rádio Zero’s broadcasts at radiozero.pt/ouvir.
“Palma Ars Acustica“, the newly created Award for Radio Art, goes this year to the Lithuanian composer and concept artist Arturas BumÅ¡teinas. The jury, made up of representatives from 11 European Public Radio Broadcasters, took its decision after the final round on Saturday, 27 April 2013 at WDR Broadcasting House. The prizewinning piece was Arturas …
Continue reading “Arturas BumÅ¡teinas awarded the first “Palma Ars Acustica—
There’s an interesting back-story to this release. The eruption of the Eyjafjallajökull volcano in Iceland, which resulted in the grounding of many European flights for a week in April 2010 saw Simon Whetham grounded in Lisbon. Effectively marooned, Whetham took his sound gear round the city and captured a vast array of material from field …
Continue reading ““Never So Alone†reviewed by Whisperin & Hollerin”
