The other new Cronica Electronica release is a collaboration between Tarab from Australia and Artificial Memory Trace from Ireland. From both of them we reviewed quite some work, even when Tarab is not as active as Artificial Memory Trace. Both of them use a lot of field recordings. The latter reworks these extensively on his computer, while retaining some of the original and Tarab “explores re-contextualised collected sounds and tactile gestures formed into dynamic, psycho-geographical compositions inspired by discarded things, found things, crawling around in the dirt, junk, the ground, rocks, dust, wind, walking aimlessly, scratchy things, decay and most if not all the things he hears and sees†(I couldn’t have said it better). Together they exchanged “materials and objects’, rather than a bunch of sounds. Artificial Memory Trace sends a sound sculpture down while Tarab send up a collection of small objects. Things were manually manipulated, recorded and transformed, all noted on the cover, but maybe also adding to the mystery of it. And mysterious it surely is. I quickly lost my way here, already on the first side of this cassette. I had no clue which piece I was hearing, or who did what. The Bandcamp version only shows a limited amount of pieces, so hardly any help. There is lots of obscure rumble of objects, and equally a lot of processing without any telling what these objects are. It could as easily be one piece per side anyway and for some obscure fun it is listed as a bunch of pieces. It is a fascinating listening experience, and unlike Delplanque’s work, it is clearer defined as a composition. I would think there are strings attached to these objects, that they are used in a percussive way and sometimes it sounds like they are destroyed. It is very acoustic yet also electrical. Sometimes small drone sounds are formed and then sometimes it builds, but as easily seems to be falling apart making this quite odd but thoroughly captivating stuff. (FdW)
via Vital