New release: David Lee Myers’s “Reduced to a Geometrical Point”

I am not an advocate of “music for meditation” and in fact believe that to be a completely misguided notion. However, I have observed that some audio constructions seem to encourage a posture of staying in the moment. This has proven to be a fascination over time. As I began the present sonic explorations, a quote from metaphysics scholar Frithjof Schuon kept coming to mind: “You must detach your life from an awareness of the multiple and reduce it to a geometrical point before God.” Certainly, Schuon was not referring to any particular Judeo-Christian vision of a supreme being, but rather, whatever ultimate creative force of the universe which must exist. So becoming “reduced to a geometrical point before God” was a concept that resonated for me while working on the pieces. 

That said, as the tracks developed I, as usual, gave them temporary working titles, in this case, Geo 1, etc. After a time I suddenly realized that the designation Geo implied a reference to our Earth and that this could suggest an additional meaning to the music. There is this geometrical point, but also the greater context of the world at large. Could these sounds remind one of the microcosmos and macrocosmos simultaneously? I hope not a pretentious assertion. — DLM


  1. GEO 1 Laurentia (17:24)
  2. GEO 2 Pannotia (12:04)
  3. GEO 3 Gondwana (14:22)
  4. GEO 4 Pangaea (16:15)

Feedback matrices, oscillator banks, and multi-processing by David Lee Myers. Recorded at Pulsewidth NYC, 2020–2021 and mastered at Crónica. Artwork by DLM.

David Lee Myers is a sound and visual artist living in New York City. He has had over thirty recordings released under his own name and also as Arcane Device by Starkland, Crónica, Generator, ReR, Line, Silent, Pogus, RRRecords, Staalplaat, Monochrome Vision, and many other labels. Collaborations have been produced with Gen Ken Montgomery, Thomas Dimuzio, Ellen Band, guitarist Marco Oppedisano, and Dirk Serries (VidnaObmana). Two Albums were created with legendary electronic pioneer Tod Dockstader, and with Hamburg’s master sound manipulator Asmus Tietchens five projects have been released. Myers has performed his sounds and visuals at New York’s Generator, The Kitchen, Roulette, Experimental Intermedia, Knitting Factory, Clocktower, MoMA/PS1, Outpost Artists Resources, Trans Pecos and Silent Barn, as well as the San Francisco Electronic Music Festival, Boston Museum of Modern art, among others.