Morten Riis’s “Lad enhver lyd minde os om” reviewed by The Sound Projector

Quite nice short tape experiments from Morten Riis on his cassette Lad Enhver Lyd Minde Os Om(CRÓNICA 186-2022). He did it using modified four-track cassette recorders and his own home-made synths, although the press notes are a little short on specifics, and refer us to mysterious processes such as “media and the human-object participatory democracy”. I suppose this may mean something about the opportunities afforded by technology which have opened up his creative imagination to some degree. The main compositional device appears to be a form of layering, where he makes so many noises and textures that we can’t discern where the original tapes might have been sourced. A painter, blending colours on a canvas, may hope for similar results. There’s a muffled and disjointed quality to the results which is not unpleasant; the title refers obliquely to the possibility of one sound reminding us of something else. I like the brevity of these pieces, but the album doesn’t amount to much more than a series of sketches, vaguely suggestive of other possibilities. Riis comes to us from his studies at Aarhus, and has published on the subject of mediation in sound. (13/07/2022, Ed Pinsent)

via The Sound Projector