Tag Archives: Morten Riis

Morten Riis at Farimani

By Miguel Carvalhais | Published: 6 June 2009
Morten Riis’s “Digital Sound Drawings” and “music.television” are highlighted by Farimani. “Digital Sound Drawings” was released in Crónica’s unlimited series and is available for free download.
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“Digital Sound Drawings” reviewed by soundproector

By Miguel Carvalhais | Published: 12 February 2009
Stunning net release by the Portuguese label Crónica is the result of musician/designer from Denmark Morten Riis’s creative work. His album Digital Sound Drawings is a real finding for people who are fond of phenomenon in electronic music which is accepted to be called ‘glitch’. As Riis himself admitted, he is not interested in creating [...]
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“Digital Sound Drawings” reviewed by 5 against 4

By Miguel Carvalhais | Published: 4 February 2009
Many moons ago, i wrote a lengthy retrospective of the work of Ryoji Ikeda, creator of some the finest raw digital music yet created • It’s an unfortunate corollary that Ikeda, like all great innovators, has a sizeable cluster of imitators (‘flattery’ be damned), many of whom form part of the now woefully tautological output [...]
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New unlimited release: Morten Riis’s “Digital Sound Drawings”

By Miguel Carvalhais | Published: 1 February 2009
Crónica is delighted to present the fifth release in the Unlimited Series, “Digital Sound Drawings” by danish composer Morten Riis. “Digital Sound Drawings” is a collection of 6 pieces composed through the drawing of images and their direct conversion into sound. By literally drawing sounds, Morten Riis presents us carefully hand-crafted pieces that are in [...]
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New limited release: Marius Watz’s “Conical” prints

By Miguel Carvalhais | Published: 1 February 2009
We’re very proud to announce the fourth release in the Limited Release series of Crónica, Marius Watz’s “Conical”. Conical is an investigation of a 3D form composed of lines that trace out segments of multiple cones. Seen at a distance, the form becomes a spatial volume. Zooming in, the sense of volume disappears and the [...]
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