(…) The music that they develop comes from wherever they performed, which are with or without public and partly are improvisations. The geometric images and two-color pencils are geared by Lia in the screen shapes.
From a beginning the digital language through the execution of a audio software, unfolds its abstract and dark wings that mix in between clicks and organic noises. In the second track, they show the first microrhythms, with tribal spyings by the echo of its percussions. Entering an industrial rythmical line with the third cut, it makes us remember “Mix Up†of Cabaret Voltaire, specially because of its sound and noises of short waves.
The fourth track, proposes an environmental melodic line, and crackles and fragmented noises emerges in the fifth cut. What sixth track indicates to us, is a trip towards tubular structures with much echo and depth, where also that tribal and primitive rhythm is appraised. Here the most advanced sounds combine with those primitive of animals.
This is a disc of great intensity, where it is not left any space without being explored by sounds that come from the immensity that today offers the digital programming.
Guillermo Escudero