I think I hear church bells at the beginning of this 43-minute work, a lively and constrasted work. If you have ever felt that López’s music was monotonous or minimalistic, please know that his style has been evolving. The latest recordings I have heard are often quite varied to the ear. For instance, this “Untitled …
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Eines muss ich López hier lassen. Die ruhigen, leicht ominös rauschenden Passagen dieses Soundscapes eigen sich gut, um dabei Baudrillard zu lesen. Sein Essay über “Die Gewalt im Bild” etwa. López zitiert daraus selbst den Satz: So kann man sagen, dass hinter jedem Bild etwas verschwunden ist (das macht ja gerade die zweideutige Faszination des …
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In 1992 Francisco Lopez did a bunch of ‘environmental recordings’ in Lisbon. In 2011 he did an ‘extensive evolutionary transformation’ of these recordings and presented that in Lisbon. No wonder the CD of that of that piece is now released on a Portuguese label. Its a forty-three minute in a fashion that Lopez uses a …
Continue reading ““Untitled #284†reviewed by Vital Weekly”
