Haarvöl + Xoán-Xil López’s track “The Previous Extant of the Hereafter” reviewed by Ambient Blog

A bold statement in the liner notes: ‘There is no progress in art’. (I personally would have added an exclamation mark). This is followed by some philosophical musings about the relationship of art with time, and ‘with its time.’ And about the fact that the ‘sounds we hear on this album are grouped in a harmonious relationship’, are ‘a deliberate escape from …

Haarvöl + Xoán-Xil López’s “The Uncanny Organization of Timeless Time” reviewed by Vital Weekly

In terms of abstraction, I am probably better off with Portuguese trio Haarvöl, of whom I reviewed some previous albums. Here they have a new work in which band member Xoán-Xil López (who seems to be a full-time member now) plays an Iberian Pipe Organ, and Fernando José Pereira and Joao Garia play electronics and …