Author Archives: Miguel Carvalhais

“Further Consequences of Reinterpretation” reviewed Fluid Sonic Fluctuations

Hi, I’m back again with another new review, today it’s this 2004 album of Reinterpretations of remixes of music by *0 by Paulo Raposo & Marc Behrens, titled Further Consequences of Reinterpretation. Released by the label Crónica the CD is housed in a clear jewel case and also includes an 8 page booklet with 7 […]

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Síria’s “Cuspo” reviewed by Toneshift

The collective Portuguese label Crónica has been bringing cutting edge, genre defying music since 2003 – and no signs of stopping here. This is Síria‘s debut (aka Diana Combo) and its an assortment of collaborations – field recordings, voice and vinyl records. At first, on Por Riba, (partly recorded by John Grzinich) it’s quite a […]

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Soon in Crónica: Tamtam’s “Rheingold”

Rheingold by Tamtam

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New release: Síria’s “Cuspo”

It happened as if it had been unwittingly, but wanting it. It was the proposal to make a version of the song Gloria for a play, and to write and sing an original for another play, by the same author, that paved the way to the transformation of life episodes into texts to be sung. […]

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Soon in Crónica: Síria’s “Cuspo”

Cuspo by Síria

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Soon in Crónica: Síria’s “Cuspo”

Cuspo by Síria

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Simon Cummings’s “間 (ma)” reviewed by Neural

間 (ma) by Simon Cummings

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Vacuamoenia’s “Panphonia” reviewed by A Closer Listen

Seeing, goes the theory, necessarily modifies what is being seen. That’s not even considering the effects of perspective, which is to say the mental articulation of meanings and associations in a particular language about whatever’s under observation. If field recording could be said to be in large part about enjoying the silence of the world, […]

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Simon Cummings’s “間 (ma)” reviewed by Revue & Corrigée

間 (ma) by Simon Cummings

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Tarab + Artificial Memory Trace’s “Obex” reviewed by Revue & Corrigée

Obex by Tarab + Artificial Memory Trace

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