Author Archives: Miguel Carvalhais
David Lee Myers’s “Superpositions†reviewed by Touching Extremes
I just love how David Lee Myers ends his notes for this cassette release, to the point that a quote is inevitable: “Feedback is far more than a public address system in misalignment; it is a core principle of universal importance.†He is, of course, referring to the inexplicable criteria of self-regeneration at the basis …
Continue reading “David Lee Myers’s “Superpositions†reviewed by Touching Extremes”
Monty Adkins’s “Shadows and Reflections†reviewed by Music Won’t Save You
Pressoché in contemporanea con “A Year At Usher’s Hill“, il suo lavoro neoclassico-ambientale maggiormente impressionistico, Monty Adkins propone due lunghe tracce su cassetta, realizzate in sinestesia creativa con il pittore Andy Fullalove. Come gli strati di colore danno forma a un’immagine, così l’artista inglese lungo i venti minuti ciascuna di “Sounds Of The Shadow†e …
Continue reading “Monty Adkins’s “Shadows and Reflections†reviewed by Music Won’t Save You”
Yiorgis Sakellariou’s “Stikhiya†reviewed by Musique Machine
Greek composer Yiorgis Sakellariou creates deep listening electronic pieces in a dynamic musique concrete style. His first releases came in 2013. As of 2017, he has found a home on the excellent Crónica label, which released many of my favorite artists of recent years including @c. His 6th full length, “Stikhiya” is made up of …
Continue reading “Yiorgis Sakellariou’s “Stikhiya†reviewed by Musique Machine”
New release: David Lee Myers’s “Superpositionsâ€
Witness the common phenomenon of feedback such as produced inadvertently through poorly configured microphones and loudspeakers in public amplification situations: the sound coming from the speakers finds its way back into the microphones and produces an uncomfortable squealing sound. The component elements are electronic and acoustic, the latter involving air movement and vibration of physical …
Continue reading “New release: David Lee Myers’s “Superpositions—
Monty Adkins’s “Shadows and Reflections†reviewed by Rockerilla
Il tempo, il paesaggio, le immagini e le sensazioni da essi veicolate continuano a essere al centro delle creazioni di Monty Adkins, che in due lavori paralleli applica un a ne approccio sinestetico alla composizione ambientale. A Year At Usher’s Hill mette in luce il pro lo più emozionalmente accogliente del sound artist inglese, racchiuso …
Continue reading “Monty Adkins’s “Shadows and Reflections†reviewed by Rockerilla”
Graeme Truslove’s “Intuited Architectures†reviewed by Bodyspace
Enquanto arte, a arquitectura é uma das mais antigas da humanidade. Primeiro existiram as casas e os templos, «meios com vista a uma exteriorização: a cabana, a habitação do deus, pressupõem habitantes, homens, imagens de deuses» [Hegel, Estética]. Milénios depois, a arquitectura ganhou a sua própria teoria, com De Architectura de Vitrúvio: as construções deveriam …
Continue reading “Graeme Truslove’s “Intuited Architectures†reviewed by Bodyspace”
Yiorgis Sakellariou’s “Stikhiya†reviewed by Gonzo Circus
Stikhiya by Yiorgis Sakellariou
Monty Adkins’s “Shadows and Reflections†reviewed by Chain DLK
“Shadows And Reflections†aims for ‘a sense of meditation, contemplation and relaxation’ as it develops sonic ideas originally created for an audiovisual exhibit at Bradford Cathedral in 2016 that drew inspiration from the restored altarpiece and stained glass windows of the cathedral. Designed for the cassette format, it’s two twenty-minute pieces of warm, comforting, eventless …
Continue reading “Monty Adkins’s “Shadows and Reflections†reviewed by Chain DLK”
“Stikhiya†reviewed by RNE 3 Atmosfera
Stikhiya es el Nuevo trabajo del compositor de música electroacúsitica Yiorgis Sakellariou, miembro del centro ateniense para la investigación de la música contemporánea y de la música electroacústica helena. Stikhiya es la palabra usada por el poeta ruso Aleksandr Blok del siglo XX para describir el valor fundamental de la inmediatez primitiva. Contrario al intelectualismo …
Continue reading ““Stikhiya†reviewed by RNE 3 Atmosfera”
