Predictability is a very high risk in compositions exclusively based on field recordings, but with Marc Behrens we can always rest assured that the development of any dissertation will introduce numerous factors of interest. Sleppet was recorded between 2007 and 2008 in Norway and Germany to fulfil a commission by Deutschlandradio Kultur. Either via the concreteness of industrial sounds or through the definite anguish generated by crying animals – be it a flock of seagulls or baah-ing sheep – Behrens is able to confirm is long-established sensitiveness for what concerns the capturing of the fundamental nature of a sound. Close proximity to the melting water of a glacier ensures that a series of impressive rumbles and crackles let us feel like a part of the direct experience. The wind is perceived as a protective mantle, and magnificent singing birds make us remember the few reasons for which life is worth of being lived. Forlorn ambiences become a road to redemption, substantial matters are a link to human quintessence. Everything appears logical, even the unanticipated abruptness of certain turns of events. The vividness of the details and the intelligence of the inherent consecutiveness characterizing the whole piece completes the achievement of a tangible gratification. Solid, sober work by one of the masters of the game. Massimo Ricci
via Temporary Fault