This is a fine work, despite its obviously unpretentious nature. It might belong in the category of favourite listens for undisturbed moments in the early morning (now) or late evening, being mostly made with remote urban echoes – the title and the cover photographs say it all – which were recorded in 2006 by Aubry who glued, looped and stretched the results in the studio. Thus a 48-minute piece was generated, in which the predominant sound is that sort of constant drone typical of the big cities especially at night, a murmuring whirr that – enjoyed in the right circumstance – functions as a wrapping tissue, a protection against negative influence and, occasionally, a stimulator of profound reflections. Therefore, this is not a record that can be subjected to any kind of critical analysis: either you like it or you don’t, and this writer happens to love it. There’s a narrative quality emerging from these obscure soundscapes: one figures human activities going on incessantly while we, as external observers, ponder about the roles carried on day by day, often unconsciously. The whole is tinged with a sense of ineluctability and steadiness at the same time, hundreds of intersections among different life conditions creating a widespread texture of whooshing low frequencies that seem to increase our inner safeguard. Massimo Ricci
via Temporary Fault