Hello once again, I’m back with this month’s part of my Crónica review series. This time I got for you this album by Davor Mikan titled Täuschung, released in 2007. The 31 track album has a running time of only 38 minutes but is definitely packed with fun minimalist electronic experiments and glitchy goodness. This …
Continue reading ““Täuschung†reviewed by Fluid Sonic Fluctuations”
Four years in the making, the 28 miniatures (as, indeed, they generally are; only one piece goes over the four minutes mark, only a few hover around the two-to-three-minutes length, and the remainder range from eleven seconds to being barely much longer than a minute) here by Mikan, a Vienna-based artist given to combining algorithmic …
Continue reading ““Täuschung†reviewed by Adverse Effect”
Täuschung erweckt den Eindruck ausgedehnter Reflektion. Die zumeist elektronischen Klänge knurpseln längts nicht so selbstverliebt wie ein Großteil der Granularsynthesen sonst vor sich hin. Davor Mikan hat die Strukturen und Entwicklungsstufen auf Täuschung über einen Zeitraum von vier Jahren immer wieder bearbeitet und neu gepflegt. Er sagt selber, dass die Distanz zur Musik für ihn …
Peu d’infos disponibles à propos de Davor Mikan, si ce n’est que l’artiste qui sort cet album sur le fameux label portugais est autrichien. A l’écoute de Täuschung que l’on considérera jusqu’à preuve du contraire comme son premier CD, le lien avec ses compatriotes de chez Mego nous apparaît comme tout à fait naturel, dans …
Austrian sound artist Davor Mikan is not someone I’m all too familiar with. His main purpose in the musical realm is to develop music through a series of algorithmic variables. He admits he uses generative graphic-tools along with granular synthesis in order to transform sound. The pieces on “Täuschung” were developed over the span of …
Graphic tools and granular synthesis: this is Davor Mikan’s compositional horizon, with twisted, surly and abstract radical sonorities, but once more modulated to construct a narrative with strong emotional characteristics. This seems to be the result of the arrangements and their complicated structures, playing with contrasts, and finely researching juxtapositions of different elements. Drones and …
Based in Vienna, Davor Mikan “creates music about failure, beauty, lust and delusion in the context of psychoacoustic effects and in a personal sense (self-delusion).†Translation: this is a 37-minute CD with 31 very short tracks, which the author developed in the last four years. His procedures include algorithms, handmade music (meaning what?), generative graphic …
Continue reading ““Täuschung†reviewed by Touching Extremes”
Il compositore austriaco Davor Mikan realizza con questo “Tauschung†un concept esteso sulla memoria e sul ricordo, compilando trentuno microtracce elettroacustiche dove a prendere il sopravvento è la dimensione noise del suono. La suddivisione in titoli è onestamente arbitraria: tutti i pezzi – composti e rielaborati nel corso degli ultimi quattro anni – sono minimi …
Mikan lebt und arbeitet in Wien, kommt aber wie aus dem Nichts. Sein Debut (?) komprimiert 31 Miniaturen auf 37 Minuten, noisiges, teils schroffes, manchmal aber nicht unwitziges Gekritzel, meist offenbar algorithmisch, teilweise auch von Hand generiert mit “generative graphic-tools togehter with granular synthesisâ€, was auch immer das heißen mag. Es hört sich stellenweise wie …
This is the obtuse and abstract music of Viennese artist Davor Mikan who makes his debut on Portuguese’s Crónica Electronica label always pushing the boundaries of experimental electronic music. ‘Täuschung’ comprised 31 short tracks that collect sketched ideas of microscopic and sharp digital sounds. The music forms the most unpredictable shapes and mathematics angles. This …
