Some years ago Miguel A. García informed me he was starting to work with string ensembles and classical players, directing musicians who can sight-read music to play his scores or execute directions in music devised by him. This represented quite a departure from his usual solo work with laptops, mixing desk, and processed recordings. I keep hoping …
Continue reading “Miguel A. García’s “Eraginie” reviewed by The Sound Projector”
Chi ha giocato al primo ”Silent Hill”? Un videogioco del 1999 che si incentra sull’orrore psicologico, in cui un uomo si ritrova in una città fantasma, dove accadono cose inquietanti nella nebbia. “Silent Hill” è stato apprezzato anche da David Lynch, tanto per dire che di che atmosfere parliamo. Miguel A. García, che si fa …
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Crónica veröffentlichen dieser Tage einnen neuen Longplayer des baskischen Komponisten und Soundartist Miguel A. García mit vier ausladenden Tracks, basierend auf Field Recordings und anderem klanglichen Rohmaterial, bei denen eine Reihe weiterer Personen – Pedro A. Mirones, Maite Mugerza (von der auch die im Artwork verwendeten Zeichnungen stammen), Garazi Navas, Schahram Poursoudmand, Alex Reviriego, Jeff …
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Miguel A. García launches Eraginie with the sounds of “a hypothetical space junk video game,” and then proceeds to find awe in detritus and debris (Crónica, September 5). via A Closer Listen’s Fall Music Preview.
Miguel A. García is an artist living in Bilbao who works in experimental music and sound art. He is active in various groups or collectives and is also known under his other project name, Xedh. In another life, for another magazine (back in 2010), I got to review his release “Vinduskarm” on the Athens-based Triple …
Continue reading “Miguel A. García’s “Eraginie” reviewed by Vital Weekly”
