We’re still reeling from Mut Att Narc Imm which we noted in 2019, continuing in our way to typecast this player as severe and extreme in his very distinct approach to minimalism, but it’s more likely we’re still enduring self-induced nightmares and sleepless nights from that image of a red claw. In fact this fellow has a wide …
Continue reading “Marc Behrens’s “Clould” reviewed by The Sound Projector”
De elektronische muziek van Marc Behrens kwam hier niet eerder voorbij, dat terwijl deze uit Darmstadt afkomstige componist / musicus toch al bijna een halve eeuw actief is in het veld van de elektronische muziek, met onder andere meer dan veertig albums op zijn naam. Tevens is hij actief met performances, fotografie en video. Onlangs verscheen bij …
Continue reading “Marc Behrens’s “Clould” and “Aiear” reviewed by Nieuwe Noten”
Marc Behrens’ “Clould” is an album that seems to hover somewhere between the clouds and the imagination — a liminal space where the ancient myths of the sky meet the cold reality of modern air travel. The title itself is a clever fusion of “cloud” and “could”, hinting at both the ethereal and the potential, …
Continue reading “Marc Behrens’s “Clould” reviewed by Chain DLK”
To travel by air is to enter a world of worry and waiting; basically, we’ve taken the miracle of flight and made it a hassle. Marc Behrens attempts to regain some of the wonder and awe of taking to the skies with Clould, whose title—a combination of “cloud” and “could”—refers to the possibilities inherent in flying. Over the …
Continue reading “Marc Behrens’s “Clould” reviewed by Bandcamp Daily”
Somewhere in between Heaven and the heavens, between ‘could’ and ‘clouds’ is Marc Behrens Clould. Composed of sounds recorded inside aeroplanes, airports, and other flight-related locations, this work brings together the reality and myth of the skies. An area once dominated by deities has now become a travel lane for millions, and while the mystery seems …
Continue reading “Marc Behrens’s “Clould” reviewed by Musique Machine”
MARC BEHRENS führt bei seinem aus Air und Ear gezwitterten Aiear (218, digital) mit düsentriebigen Dopplereffekten und mit „Clould“ (220) in den konjunktiven (could) und assoziativen Raum in und über den Wolken. Mit dem Frankfurter Airport vor Ort, dessen Flugschneisen und den eigenen 36 Flügen als Klangquelle für eine Meditation über die Transformation des Fliegens …
Continue reading “Marc Behrens’s “Clould” and ”Aiear“ reviewed by Bad Alchemy”
Tytuł Clould łączy w sobie słowa “cloud” (chmura), wskazując na fascynację ludzkości rzekomymi nadprzyrodzonymi istotami, które żyły w chmurach lub je tworzyły, oraz “could” („mogłoby”). Historyczne mitologie zostały umieszczone w kontekście XXI wiecznego masowego transportu powietrznego, który napędza duże grupy ludzi – pasywnych siłą – przez przestrzeń, która kiedyś należała do mitologicznych istot i energii. I oczywiście do chmur. Cykl utworów elektroakustycznych Clould i jego preambuła Aiear (Crónica 218~2024) składają się łącznie z 95 minut muzyki, …
Continue reading “Marc Behrens’s “Clould” reviewed by Anxious”
Marc Behrens was more active with releases a long time ago, the first decade of this century and the last half of the decade before that, but these days may have shifted his work into sound installations – who knows? Maybe he releases his music online mostly. There is a ‘preamble’ release for ‘Clould’, called …
Continue reading “Marc Behrens’s “Clould” reviewed by Vital Weekly”
