Les matériaux sonores, base de cet album, ont été enregistrés à Lisbonne en Avril 2010 lors d’un séjour prolongé à Lisbonne suite au réveil du volcan Eyjafjallajökull en Islande. Comme après la première grosse pluie de printemps. La musique fait remonter du sol l’odeur des massifs, les résonances de l’asphalte, les bords boueux à l’embouchure …
Category Archives: Reviews
“No End of Vinyl†reviewed by RNE3 Atmosfera
Catorce años después de la versión original de “the.end.of.vinyl”, la primera referencia exclusivamente digital de Pure, diez artistas se reúnen de nuevo a modo de evocación para reinterpretar las composiciones de Pure con sus propias reflexiones sobre las músicas digitales y su futuro. “The.end.of.vinyl” fue una de las primeras publicaciones de Mego, sello con sede …
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“No End of Vinyl†reviewed by Headphone Commute
13 years ago, Mego label released Pure’s the.end.of.vinyl on a 3†CD. The release marked a shift in Pure’s sound from more dancefloor-oriented productions toward something more abstract and experimental. Ironically, the release was pressed on CD because it was the prevalent format at the time; the name describes the techniques used to create the …
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“No End of Vinyl†reviewed by Chain D.L.K.
Fourteen years after Vienna-based Mego released “The End of Vinyl” by Austrian dynamic producer Peter Votava aka Pure on 3″ cd, someone could think that its sibylline prediction could be better spot-on if it were called “the.agony.of.vinyl”, so that Cronica folks decided to fishes it out from the ocean of sonic memories by involving a …
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“No End of Vinyl†reviewed by Rockerilla
The End Of Vinyl fu il primo disco in cui Peter Votava aka Pure abbandonava il mondo della techno da club per cercare di condurre la sua musica verso nuovi orizzonti. Per omaggiare la sua opera, l’etichetta portoghese Crónica chiama un cast di propri scudieri e grandi nomi a rimettere mano ad una selezione di …
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“Queendom Maybe Rise†reviewed by Liability Webzine
Ce n’est pas la première fois que l’on croise le chemin de Marc Behrens (Further Consequences of Reinterpretation, Compilation Work 1996-2005, Plastic/Metal) mais, franchement, on aimerait que cela se fasse plus souvent. On a toujours été un fervent défenseur de l’allemand et ce Queendom Maybe Rise ne doit aucunement nous faire changer d’avis. Cette énième …
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“No End of Vinyl†reviewed by De:Bug
“Des Ende des Vinyls†winkte 1999 am Horizont, als Pure seinen Kommentar dazu in der Form zweier intensiver Drones aud fer Grundlage von Auslaufrillen aud Mego herausbrachte, als 3â€-CD. Nun, es kam anders. Das schmucke Format des Originals ist mausetot (begleitender Reissue: als Free Download bei Crónica); dessen großem Bruder, in del jetzt die Fortsetzung …
“Queendom Maybe Rise†reviewed by Revue & Corrigée
Deux pièces de natures différentes composent cet album: d’abord Maybe rise qui déploie das nos oreilles un vaste paysage où les sons électroniques (drones, interférences, souffles et sifflements qui semblent sortir de terre comme des fumerolles) se mêlent à toute une faune luxuriante et fantastique, striculations d’insectes et chants d’oiseaux insolites. Marc Behrens a utilisé …
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“No End of Vinyl†reviewed by Monsieur Délire
This fresh-out record features ten reinterpretations of Pure’s the.end.of.vinyl EP, one of the first records to establish the glitch sound of the label Mego. “Remixers†include Mego cofounder Pita, and also a@, Cindytalk, and Arturas Bumsteinas, among others. Of course, Pure was wrong back then, hence the revised title and these reinterpretations that provide wide-ranging …
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“No End of Vinyl†reviewed by Black Audio
Strangely ironic that this latest album by Pure is titled ‘No End of Vinyl’, yet is released on Compact Disc; however, I do love the embossed triple-folded slipcase that feels like the well-loved grooves of an actual record, which is a nice touch. As the album states, this is a collection of collaborative works, where …
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