In the creative experience of Gilles Aubry (Swiss sound artist living in Berlin) references are a recurring use of field recordings and, at the same time, an evident interest for some characters of musique concrète. Gilles deals also with electronics and computer programming, with results ranging from experimentation to improvisation, matters handled with personal interpretation …
Continue reading “Spiritual Archives reviews Berlin Backyards”
Every now and then we need to (re)think how we communicate. For a few months now, we’ve been considering the idea of creating a blog, something that could focus on the day-to-day news of Crónica and the artists with whom we work, keeping the main website for more permanent information and listing of releases. So, …
Never mind the mess, we’re still installing… But please, be welcome!
Peu d’infos disponibles à propos de Davor Mikan, si ce n’est que l’artiste qui sort cet album sur le fameux label portugais est autrichien. A l’écoute de Täuschung que l’on considérera jusqu’à preuve du contraire comme son premier CD, le lien avec ses compatriotes de chez Mego nous apparaît comme tout à fait naturel, dans …
Miguel Carvalhais and Pedro Tudela recorded these files from 2002 to 2007, assembling the result in a multi-faceted patchwork that fuses improvisation, electronic, sampladelia and musique concrete. Surprisingly, after a couple of headphone sessions – in which, admittedly, this writer admired the quality of the studio work and the clever methods of combination applied by …
Continue reading ““Up, Down, Charm, Strange, Top, Bottom†reviewed by Touching Extremes”
