GML Variations by Miguel Carvalhais and Pedro Tudela stems from an initial composition presented alongside other works in a public screening at the Casa da Música, in Porto. The focus of this event was the Robotic Gamelan, a complex instrument developed in 2008/2009 by Rui Penha, José LuÃs Azevedo and Miguel Ferraz that involves a network …
Tag Archives: @c
“GML Variations†reviewed by Blow Up
“GML Variations†reviewed by Silence and Sound
Miguel Carvalhais et Pedro Tudela, le duo derrière @c, offrent au gamelan l’occasion de se libérer de l’étreinte des hommes, d’évoluer en tant qu’instrument programmé en mode random, donnant à entendre une musique créée au contact de la robotique. Né d’une commande pour une exposition à la Casa da Música (Porto), GML Variations a aussi donné l’envie à ses créateurs …
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“GML Variations†reviewed by Gonzo Circus
TBA Podcast with @c
Dito e Feito · #24 Miguel Carvalhais e Pedro Tudela – VOCx The TBA Podcast features @c work in its most recent episode, looking at their sound installation VOC(x), which should have opened last April but was delayed by the pandemic. The mix created for this podcast looks at one among many possible articulations of …
“GML Variations†reviewed by Vital Weekly
The Robotic Gamelan of Casa de Musica is just as cool as you’d imagine it is. In fact, Google it right now. Check out some photos of the thing, then meet me back here… see, isn’t that a neat thing? Gamelans are cool… robots are cool… and so a robotic gamelan is very cool. Pedro Tudela and …
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New release: @c’s “GML Vars. Liveâ€
As a preamble to @c’s upcoming album, GML Vars. Live documents Pedro Tudela and Miguel Carvalhais performing its source materials and compositions. GML Variations will be available next March as a limited-release CD and is now available for preorder. GML Vars. Live is now available for stream or download! GML Vars. Live by @c
@c’s “Espaço, Pausa, Repetição†reviewed by The Sound Projector
Our Portuguese double act @c (Pedro Tudela and Miguel Carvalhais) are here with a new cassette called Espaço, Pausa, Repetição (CRONICA 150-2019). This one arose from an installation project which they did at the University of Porto. Apparently over fifty creators contributed about 300 “sound objects†to this project, and if @c are using these as the basis for today’s …
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@c’s “Espaço, Pausa, Repetição†reviewed by Bad Alchemy
@c’s “Espaço, Pausa, Repetição†reviewed by Blow Up
Espaço, Pausa, Repetição by @c