Tag Archives: Marla Hlady

MARLA HLADY & CHRISTOF MIGONE versammeln auf ihrer mit dem sog. “OAOAO choir” (bestehend aus Christa Eder, Hans Groiss, Claudia Gschweitl, Monika Kalcsics, Ulrike Leitner, Karin Linortner, Susanna Niedermayr, Ursula Scheidle, Anna Soucek, Alexander Tschernek, Mia Kirsty Weisz, Elisabeth Zimmermann und Stefanie Zussner – allesamt Mitarbeiter des Österreichischen Rundfunks, dessen “Kunstradio”-Abteilung diese Arbeit auch unterstützt …

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…summarize what you read using only 12 verbs, …record yourself humming all melodies that come to mind, …record yourself saying ‘O’, …say 12 words starting with the letter ‘R’ and try to stay on the ‘rrrrrr’ for as long as possible, …repeat the letter ‘F’ as fast as pos­sible for one minute. Mit 12 solchen …

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Nur wenige Wochen nach Christof Migones Soloalbum “OO” (Squint Press) erscheint mit “On And On And Off” die neue Zusammenarbeit des kanadischen Klangkünstlers mit Marla Hlady als CD auf Crónica. Ausgangspunkt des Projekts sind Aufnahmen eines zwölfköpfigen Chors aus Mitarbeiter des ORF, die ihren täglichen Weg zwischen Arbeit und Zuhause in Form von Klangexperimenten, Stimmen, …

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On And On And Off to wspólny projekt Marli Hlady i Christofa Migone’a, rozwijany od 2015 roku. Artyści, działający od lat osobno w obszarach dźwięku, performansu i instalacji, w swoich wspólnych realizacjach łączą indywidualne zainteresowania w pracach skupionych na miejscu, przestrzeni dźwiękowej i codziennym doświadczeniu ruchu. Punktem wyjścia dla On And On And Off stał się chóralny projekt …

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12 new tracks from Marla Hlady and Christof Migone released on as a cd and DL from Cronica based in Oporto, Portugal.  Both Marla and Christof have been collaborating since 2015 and this album is one of the finest points of their work together.  As usual there is an interesting concept that is a foundation …

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Spirits Drifting Here’s two discs of very enjoyable drone music produced by various processes…Swan Song (CRÓNICA196-2023) was realised by Marla Hlady and Christof Migone, and they did it during a three-month residency in Glenfiddich. From what I can make out, it’s a clever bit of “repurposing” of old equipment from the Glenfidich still, specifically the copper “swan necks” which …

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There is a whole line of field recordings that are not “found” at all; that is, they are not the result of psychogeographic wanderings, but, on the contrary, are carefully prepared and have well-defined places and situations as their object. During a three-month artistic residency in the summer of 2019 in Glenfiddich (Dufftown, Scotland), Marla …

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