Tag Archives: Øyvind Brandtsegg

Øyvind Brandtsegg’s “Persistent Disequilibrium” reviewed by Ballade

Øyvind Brandtsegg søler på kjøkkenet. Han tar mjøl, krydder og en del andre kjøkkenprodukter, drysser dem utover en glassplate og setter på strøm. Slikt blir det bråk av.  Brandtsegg er professor i musikkteknologi ved NTNU og en nestor i den punkete DIY-glade musikk-avantgarden i Trondheim. Han spiller på «instrumentet» sitt med å bikke fatet i ulike […]

Posted in Reviews | Also tagged | Comments closed

Øyvind Brandtsegg’s “Persistent Disequilibrium” reviewed by Salt Peanuts

«Persistent Disequilibrium» is a new sound art project of Norwegian experimental composer-scholar-educator Øyvind Brandtsegg. Brandtsegg devised a set of new musical instruments where finger-mounted piezo contact pickups are used with transducers on vibrating plate-like objects (metals, plastics, wood, ceramics, concrete, glass, bioplastics and even human bones in a living body) to explore intimate resonances by […]

Posted in Reviews | Also tagged | Comments closed

New release: Øyvind Brandtsegg’s “Persistent Disequilibrium”

Persistent Disequilibrium is based on a set of new musical instruments where finger mounted piezo pickups are used with transducers on vibrating plate-like objects to explore resonances by touch. This creates a feedback loop where sonic vibrations pass through the material to be investigated and are not transmitted through the air. The direct contact let […]

Posted in Releases | Tagged | Comments closed

Øyvind Brandtsegg’s “Nancarrow Biotope” reviewed by Bad Alchemy

Posted in Reviews | Also tagged | Comments closed

Øyvind Brandtsegg’s “Nancarrow Biotope” reviewed by Blow Up

Posted in Reviews | Also tagged | Comments closed

Øyvind Brandtsegg’s “Nancarrow Biotope” reviewed by The Wire

<a href=”https://cronica.bandcamp.com/album/nancarrow-biotope”>Nancarrow Biotope by Øyvind Brandtsegg</a>

Posted in Reviews | Also tagged | Comments closed

Øyvind Brandtsegg’s “Nancarrow Biotope” reviewed by Soundexpeditionen

Und nun etwas komplett anderes.Diese Musik hab ich seit Dezember hier liegen. Mehrmals angehört und ich wusste sie nie so richtig zu fassen.Die Musik von Conlon Nancarrow ist mir bekannt, aber auf einer Orgel?!?Ich muß zugeben, dass ich mit dem ersten Hören dieser Veröffentlichung so meine Schwierigkeiten hatte.Ich mag Orgelmusik, schon als Jugendlicher bin ich […]

Posted in Reviews | Also tagged | Comments closed

Øyvind Brandtsegg’s “Nancarrow Biotope” reviewed by Salt Peanuts

American iconoclast composer Conlon Nancarrow’s «Studies for Player Piano» is a series of 49 études for a mechanical piano, exceeding human performer limitations, composed between 1948 and 1992 and often relying on mathematical formulas and overtone series. These «Studies» emphasize in a playful and acrobatic manner, often with provocative and complex sounds, that the use […]

Posted in Reviews | Also tagged | Comments closed

Øyvind Brandtsegg’s “Nancarrow Biotope” reviewed by Nettavisen

Veldig annerledes – veldig fascinerende Jazzfolket kjenner igjen navnet Øyvind Brandtsegg fra samarbeid med Kristin Asbjørnsen og Krøyt og Live Marie Roggen. Her møter vi professoren fra NTNU i en totalt annerledes setting. Jeg bryter sammen, om ikke i krampegrÃ¥t sÃ¥ i alle fall lett hulken, og tilstÃ¥r at jeg beveger meg ut pÃ¥ relativt […]

Posted in Reviews | Also tagged | Comments closed

New release: Øyvind Brandtsegg’s “Nancarrow Biotope”

“My essential concern, whether you can analyze it or not, is emotional; there’s an impact that I try to achieve by these means.” — Conlon Nancarrow Conlon Nancarrow’s Studies for Player Piano were orchestrated for Pipe Organ, Disklavier and electronics by Ã˜yvind Brandtsegg. The work with these compositions instigated further exploration of improvisation with these mechanic instruments in […]

Posted in Releases | Also tagged | Comments closed
  • Tags

  • Categories

  • Archives