Obviously Aubry’s idea of a typical Berlin backyard isn’t a quiet and peaceful haven one retreats to as a respite from the noise of the city but instead a place where loud, industrial machinery churns relentlessly. Such equipment—air conditioners, trash compactors, recycling containers, electric power stations, all of which keep the city running—exhales convulsively like …
Continue reading ““Berlin Backyards†reviewed by Textura”
Si ya los propios estilos musicales son polémicos y discutibles en cuanto a su exactitud y alcance, resultando la mayorÃa de las veces solo vagas y aproximadas etiquetas orientativas; hay un debate que todavÃa va mas allá: ¿que puede considerase música y que ruido? La pregunta es mas compleja de lo que puede parecer, ya …
Continue reading “Netlabels & News reviews “Compilation Works 1996-2005—
This afternoon, @c (Miguel Carvalhais and Pedro Tudela) lecture at the Gakerija JakopiÄ in Ljubljana, in the Sonica:Post program. Next thursday, in the same venue, they will present a sound performance developed during their residency at MoTA.
From same label, Compilation Works 1996-2005 (CRÓNICA ELECTRONICA 041) is an astonishing compilation of music by the great Marc Behrens, one of the most severe and dessicated electronic minimalists working in this area and one for whom I have a lot of time. This 19-track collection amounts to two CDs’ worth of music, and it …
Continue reading ““Compilation Works 1996-2005†reviewed by The Sound Projector”
