Vienna based Mikan’s broken english is strangely helpful in highlighting the existential and creative confusion that informs these 31 short pieces, conceived using graphic tools and granular synthesis. “After four years, the distance to this music is completely lost,†he writes. He cannot recall what emotional spasms gave rise to these knotty, fragmented scrawls of …
Author Archives: Miguel Carvalhais
“Täuschung†reviewed by Cyclic Defrost
The thirty-one tracks on Täushung betray a nest of family resemblances, but they are lost on the one who, using graphic tools and granular synthesis, gave rise to them in the first place. Some four years later, the atmosphere, as it were the corona of lightly indicated uses that accompanied their first gesticulations now appears …
Continue reading ““Täuschung†reviewed by Cyclic Defrost”
“Täuschung†reviewed by France Musique, Tapage nocturne
Davor Mikan est un musicien autrichien d’origine bosniaque, il fait partie de ces expérimentateurs sonores radicaux qui composent sans aucune concession pour nos capacités auditives. Le label Cronica édite courageusement aujourd’hui son deuxième album. Intitulé Täuschung, il présente une suite de 31 vignettes sonores principalement constituées de distorsions, de déflagrations, de déchirures, de silences et …
Continue reading ““Täuschung†reviewed by France Musique, Tapage nocturne”
“Täuschung†reviewed by Spex
Davor Mikan hätte vielleicht gut daran getan, nicht jedem der 31 Stücke auf »Täuschung« (Crónica) einen Titel zu verpassen: Man sollte sich jedenfalls nicht von einer etwas witzlosen Albernheit wie »Der Eisverkäufer explodiert einfach« von dem Vorhaben abschrecken lassen, sich mit diesem durchweg interessanten, zuweilen sehr spannenden Album auseinanderzusetzen. Was auf den ersten Eindruck oft …
“Up, Down, Charm, Strange, Top, Bottom†reviewed by Distorsom
Com um tÃtulo fisgado na realidade intangÃvel das partÃculas sub-atómicas, Up, Down, Charm, Strange, Top, Bottom é o sétimo álbum dos portugueses @C, e o terceiro na sua própria editora. Os ficheiros que estiveram na origem do disco foram registados entre 2002 e 2007, em diferentes locais espalhados por vários paÃses, incluindo apresentações ao vivo, …
Continue reading ““Up, Down, Charm, Strange, Top, Bottom†reviewed by Distorsom”
“Mus*****c†reviewed by Earlabs
Since January, 2003 Crónica has managed to amass thirty-one releases in its catalog. Now, to celebrate their 5th anniversary, the label’s thirty-second release comes in the form of a free, digital-only download that initiates the beginning of the Unlimited Release Series. Mus****c is a 192-minute, 24 track compilation featuring almost as many Crónica artists. It’s …
“Mus*****c†reviewed by Vital
The older I get, the more melancholic I get, the faster time flies by like there is no yesterday, today or tomorrow. Is it tuesday again, am I doing yet another Vital Weekly. It seems so. So in my perception of things Cronica Electronica have been around for ages, but they celebrate their fifth birthday …
“Musicamorosa†reviewed by Onda Rock
Fuori dagli schemi e dai consueti circuiti della musica elettronica, l’artista portoghese Jorge Mantas da qualche anno a questa parte conduce le sue esplorazioni sonore sotto l’accattivante alias di The Beautiful Schizophonic. Dopo l’esordio “Hyperblue Hydrophonics†e la quasi totalità dei brani compresi nella pubblicazione “Product 06†della conterranea etichetta Crónica Electronica, Mantas pone mano …
“Täuschung†reviewed by Vital
From Vienna comes one Davor Mikan, of whom I never heard, ‘where he creates music about failure, beauty, lust and delusion in the context of psychoacoustic effects and in a personal sense (self-delusion)’, as it is said on the blurb. He is using generative graphic tools together with granular synthesis to transform sound. Whatever that …
“Täuschung†reviewed by Comunicazione Interna
In “Täushung†il viennese Davor Mikan ha riunito materiale elettronico elaborato nel corso degli ultimi 4 anni – si tratta di 31 tracce brevi se non brevissime – ed il risultato finale non lascia granché soddisfatti: un lavoro eccessivamente frammentario e sostanzialmente asfittico, dove entrano scarti digitali, frequenze disturbate, glitches manipolati, ritagli di forme ancora …
Continue reading ““Täuschung†reviewed by Comunicazione Interna”