En voyant sur la pochette le mot “Drumming”, beaucoup penseront sans doute à la célèbre composition de Steve Reich. Le seul rapport, ce sont les percussions. Extrêmement variées, avec, selon les titres, électronique, ordinateurs, échantillons. Un disque qui semblera difficile, et il l’est, mais ne demande qu’à être attentivement écouté pour livrer ses trésors… Drumming GP désigne …
Continue reading “@c + Drumming GP‘s “For Percussion” reviewed by Inactuelles”
Myers has been pushing at the boundaries of electronic music for longer than some folks have been alive, and his continuing explorations within such variegated arenas serve to excite and regularly illuminate the more mundane aspects of existence. Most of this is due to the fact that Myers, whether under his given name or as …
Continue reading “David Lee Myers’s “Strange Attractors” reviewed by Igloo”
Noise has a mutant nature and harbors poetic correspondences; it is polysemy that demands its translation from the listener. Concepts only make sense through their opposites; thus, noise means everything and means nothing. Miguel A. García (M.A.G., aka xedh), a practitioner of the alchemy of noise for twenty-five years, offers us on this occasion a …
Continue reading “New release: Miguel A. García & Coeval’s “Huncill””
Hailing from the Netherlands, Roel Meelkop is a prolific sound artist, whose musical venture began in the 80s with THU20, a project in the realms of electronic/experimental music. Moreover, he has worked with artists like Kapotte Muziek, Frans de Waard, Howard Stelzer, Detlev Hjuler & Andrea Göthling (Kommissar Hjuler Und Frau), Wieman and Pierdrie among …
Continue reading “Roel Meelkop’s “Viva in Pace” reviewed by Musique Machine”
Regarding the role that art could have in preventing wars, Roel Meelkop openly admits his inner doubts, leaning more toward the pessimistic end of things. Without getting into overly skeptical specifics, let me just say that I agree, especially in light of the manufactured and staged conflicts that are so characteristic of today, invariably waged at the …
Continue reading “Roel Meelkop’s “Viva in Pace” reviewed by Touching Extremes”
Terra, uscito per la label portoghese Crónica, è un’opera multiforme e ambiziosa per violoncello, percussioni e componenti elettroniche che partendo da frammenti sonici di territori registrati in loco e riorganizzati all’interno dei cinque atti presenti nel disco rappresenta una finestra paradigmatica sull’idea di musica che ha Luca Forcucci. Con Terra Luca Forcucci, da sempre interessato a esplorare …
Continue reading “Luca Forcucci’s “Terra” reviewed by Music Map”
In 1967 American abstract painter Ad Rheinhardt wrote a standard-issue postcard to the “War Chief” of the United States. On the postcard he had written a list of negations, such as “no napalm”, “no bombing”, “no injustice” and “no art in war”, “no art as war”, “no art about war”. In retrospect, this has become …
Continue reading “New release: Roel Meelkop’s “Viva in Pace””
